In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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1990 with Kate Erbland
Manage episode 415038888 series 3447215
Content provided by Michael Hull and Jason Bailey. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Michael Hull and Jason Bailey or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Indiewire’s Kate Erbland was a literal child in the year 1990, but she luckily had parent who put very few viewing boundaries on her, which was how she ended up seeing “Die Hard 2,” “Ghost,” and one of her all-time favorite movies, “Pretty Woman.” She joins us to talk about those and MANY more.
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For show notes - including where to stream this week's movies, links to referenced media, and more - subscribe on Buttondown at https://buttondown.email/AVeryGoodYear. https://plus.acast.com/s/a-very-good-year.
Hosted on Acast. See acast.com/privacy for more information.
86 episodes
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Manage episode 415038888 series 3447215
Content provided by Michael Hull and Jason Bailey. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Michael Hull and Jason Bailey or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Indiewire’s Kate Erbland was a literal child in the year 1990, but she luckily had parent who put very few viewing boundaries on her, which was how she ended up seeing “Die Hard 2,” “Ghost,” and one of her all-time favorite movies, “Pretty Woman.” She joins us to talk about those and MANY more.
…
continue reading
For show notes - including where to stream this week's movies, links to referenced media, and more - subscribe on Buttondown at https://buttondown.email/AVeryGoodYear. https://plus.acast.com/s/a-very-good-year.
Hosted on Acast. See acast.com/privacy for more information.
86 episodes
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Similar to A Very Good Year
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
DumTeeDum is a weekly podcast about The Archers featuring fans of Ambridge. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
Werewolf Ambulance is a horror movie comedy podcast. Allen and Katie watch horror movies from all eras and of all qualities and then discuss them in a not-so-academic way (just as the name "Werewolf Ambulance" might imply!) and then discuss and rate them. The episodes do contain spoilers, so please watch the films before listening if that bothers you!
…
continue reading
Watch what you want, where you want, when you want on whatever device you please. Take control of your TV, Movies and more. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
Determining if all these so called classic films are indeed just that.
…
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The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
…
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Join musician Chris Fafalios (Punchline, Another Cheetah, Pack) as he listens to different one hit wonders with a revolving door of guests (including his bandmates and/or people from bands that he has toured with). After listening to the back catalog of the week's artist, they decide if the artist is a one hit blunder (shouldn't have had any success) or brought the one hit thunder (deserved to be much bigger than they were).
…
continue reading
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