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1964: POPPINS. VS. DOOLITTLE!

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Manage episode 376300548 series 3312526
Content provided by Claire Bolton, Dan Gibbins, and Erin Weir, Claire Bolton, Dan Gibbins, and Erin Weir. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Claire Bolton, Dan Gibbins, and Erin Weir, Claire Bolton, Dan Gibbins, and Erin Weir or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

It's 1964 and it's all singing, all dancing, all grudge match for Julie Andrews! The Oscar goes to Lerner and Lowe's My Fair Lady, with Audrey Hepburn taking over the role Julie Andrews created onstage, because the future Dame wasn't "a big enough draw." In response, Andrews joins Walt Disney for the aggressively whimsical Mary Poppins, claiming the box office crown from the film that rejected her. But who did it best? When it comes to the tunes, Doolittle's doing plenty and Poppins ain't stoppin', and Erin, Claire, and Dan have many an opinion. Join us for the 60s dance party!

Find all of our episodes and the rest of Writing Therapy Productions' various entertainments at www.writingtherapyproductions.com

  continue reading

66 episodes

Artwork
iconShare
 
Manage episode 376300548 series 3312526
Content provided by Claire Bolton, Dan Gibbins, and Erin Weir, Claire Bolton, Dan Gibbins, and Erin Weir. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Claire Bolton, Dan Gibbins, and Erin Weir, Claire Bolton, Dan Gibbins, and Erin Weir or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

It's 1964 and it's all singing, all dancing, all grudge match for Julie Andrews! The Oscar goes to Lerner and Lowe's My Fair Lady, with Audrey Hepburn taking over the role Julie Andrews created onstage, because the future Dame wasn't "a big enough draw." In response, Andrews joins Walt Disney for the aggressively whimsical Mary Poppins, claiming the box office crown from the film that rejected her. But who did it best? When it comes to the tunes, Doolittle's doing plenty and Poppins ain't stoppin', and Erin, Claire, and Dan have many an opinion. Join us for the 60s dance party!

Find all of our episodes and the rest of Writing Therapy Productions' various entertainments at www.writingtherapyproductions.com

  continue reading

66 episodes

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