In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 35: The Shyamalan Cinematic Universe
Manage episode 226352953 series 2324421
Content provided by AP Marvel. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by AP Marvel or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
With the release of Glass, M. Night Shyamalan has completed his own superhero trilogy. What relation, if any, does Unbreakable, Split, and Glass have with the MCU? Ultimately, what does that trilogy have to say about superheroes, comic book fiction, and commercialization? Chris, Izzy, and Leila (@galaxyleila) explore.
Tony's Film Corner: Glass (Patreon Exclusive)
Next Week: Marvel Musings #1-#4
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- Izzy Sio (@delirilyn)
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Email suggestions for topics or your own MCU viewing anecdotes to chris@apmarvel.com!
--- Support this podcast: https://podcasters.spotify.com/pod/show/ap-marvel/support71 episodes
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Manage episode 226352953 series 2324421
Content provided by AP Marvel. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by AP Marvel or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
With the release of Glass, M. Night Shyamalan has completed his own superhero trilogy. What relation, if any, does Unbreakable, Split, and Glass have with the MCU? Ultimately, what does that trilogy have to say about superheroes, comic book fiction, and commercialization? Chris, Izzy, and Leila (@galaxyleila) explore.
Tony's Film Corner: Glass (Patreon Exclusive)
Next Week: Marvel Musings #1-#4
Follow AP Marvel on Patreon, Twitter, Medium, Discord, YouTube, and Facebook
Follow us on social media:
- Chris Compendio (@Compenderizer)
- Izzy Sio (@delirilyn)
- Anthony Paone (@thepizzataco)
Theme Music: Steve Molitor
Logo: Charles Villanueva (@cfsvillanueva)
Email suggestions for topics or your own MCU viewing anecdotes to chris@apmarvel.com!
--- Support this podcast: https://podcasters.spotify.com/pod/show/ap-marvel/support71 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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