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On Drawing the Bombay Plague / Ranjit Kandalgaonkar

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Manage episode 379609169 series 3272996
Content provided by Vaissnavi Shukl. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Vaissnavi Shukl or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Over a century ago in 1896, the bubonic plague broke out in colonial Bombay. While the British officials maintained detailed records of the various aspects of the plague, local newspapers reported on the public sentiment towards the disease and its colonial management. Ranjit Kandalgaonkar explored one such archive to draw out a subaltern narrative of the bubonic plague.

Ranjit Kandalgaonkar lives and works in Mumbai and his art practice primarily comprises of a lens directed at the urban context of cities. Most of his long-term projects are research-intensive and attempt to unlock historical and contemporary data by placing the work in the context of an unseen social history. His works have been showcased at Bergen Assembly Art & research Triennale, Colomboscope Biennale, and several galleries in India and overseas.

Ranjit’s city-based practice: http://cityinflux.com

  continue reading

52 episodes

Artwork
iconShare
 
Manage episode 379609169 series 3272996
Content provided by Vaissnavi Shukl. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Vaissnavi Shukl or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Over a century ago in 1896, the bubonic plague broke out in colonial Bombay. While the British officials maintained detailed records of the various aspects of the plague, local newspapers reported on the public sentiment towards the disease and its colonial management. Ranjit Kandalgaonkar explored one such archive to draw out a subaltern narrative of the bubonic plague.

Ranjit Kandalgaonkar lives and works in Mumbai and his art practice primarily comprises of a lens directed at the urban context of cities. Most of his long-term projects are research-intensive and attempt to unlock historical and contemporary data by placing the work in the context of an unseen social history. His works have been showcased at Bergen Assembly Art & research Triennale, Colomboscope Biennale, and several galleries in India and overseas.

Ranjit’s city-based practice: http://cityinflux.com

  continue reading

52 episodes

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