In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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30th Anniversary of The Fugitive with director Andrew Davis
Manage episode 376320149 series 3485936
Content provided by Steve Hullfish, ACE, Steve Hullfish, and ACE. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steve Hullfish, ACE, Steve Hullfish, and ACE or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Today on Art of the Cut, a little change of pace. August was the 30th anniversary of the movie, The Fugitive, directed by Andrew Davis and edited by Don Brochu, David Finfer, Dean Goodhill, Dov Hoenig, Richard Nord and Dennis Virkler. Why so many editors? You’ll soon find out as I talk to director Andrew Davis about the evolution of the film through editing, his thoughts on being one of the first directors to try to cut a film using Avid Media Composer, and what he looks for when choosing a new editor for a project.
Mr. Davis was nominated for a Golden Globe and a DGA Award for Best Direction for The Fugitive. His other films include Under Siege, Chain Reaction, A Perfect Murder, Collateral Damage, Holes, and The Guardian.
109 episodes
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Manage episode 376320149 series 3485936
Content provided by Steve Hullfish, ACE, Steve Hullfish, and ACE. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steve Hullfish, ACE, Steve Hullfish, and ACE or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Today on Art of the Cut, a little change of pace. August was the 30th anniversary of the movie, The Fugitive, directed by Andrew Davis and edited by Don Brochu, David Finfer, Dean Goodhill, Dov Hoenig, Richard Nord and Dennis Virkler. Why so many editors? You’ll soon find out as I talk to director Andrew Davis about the evolution of the film through editing, his thoughts on being one of the first directors to try to cut a film using Avid Media Composer, and what he looks for when choosing a new editor for a project.
Mr. Davis was nominated for a Golden Globe and a DGA Award for Best Direction for The Fugitive. His other films include Under Siege, Chain Reaction, A Perfect Murder, Collateral Damage, Holes, and The Guardian.
109 episodes
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Similar to Art of the Cut
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
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continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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continue reading
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…
continue reading
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continue reading
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