In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Art of the Cut, Ep. 146: "Don't Look Up" Editor Hank Corwin, ACE
Manage episode 317401969 series 2968524
Content provided by Frame.io Insider. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Frame.io Insider or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Today we’re speaking with multi-Oscar nominee Hank Corwin, ACE about editing Adam McKay’s film, Don’t Look Up.
Hank’s been winning editing awards for 25 years. He was nominated for an ACE Eddie for editing The Horse Whisperer. He won or was nominated for many awards for his editing on The Tree of Life. He was nominated for an Oscar and a BAFTA and won an ACE Eddie for his brilliant work on The Big Short. And was nominated for an Oscar and an ACE Eddie and won a BAFTA for his editing of the movie Vice. I last interviewed him ahead of that win in 2019.
His other work includes The Legend of Bagger Vance, Nixon, and Natural Born Killers, in addition to working as an additional editor on films like JFK, Public Enemies, Moneyball, and Ad Astra.
Thanks to Frame.io for their support of Art of the Cut and their pledge to keep this content coming your way. Click here to read this interview along with extra content at blog.frame.io, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.
67 episodes
Share
Manage episode 317401969 series 2968524
Content provided by Frame.io Insider. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Frame.io Insider or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Today we’re speaking with multi-Oscar nominee Hank Corwin, ACE about editing Adam McKay’s film, Don’t Look Up.
Hank’s been winning editing awards for 25 years. He was nominated for an ACE Eddie for editing The Horse Whisperer. He won or was nominated for many awards for his editing on The Tree of Life. He was nominated for an Oscar and a BAFTA and won an ACE Eddie for his brilliant work on The Big Short. And was nominated for an Oscar and an ACE Eddie and won a BAFTA for his editing of the movie Vice. I last interviewed him ahead of that win in 2019.
His other work includes The Legend of Bagger Vance, Nixon, and Natural Born Killers, in addition to working as an additional editor on films like JFK, Public Enemies, Moneyball, and Ad Astra.
Thanks to Frame.io for their support of Art of the Cut and their pledge to keep this content coming your way. Click here to read this interview along with extra content at blog.frame.io, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.
67 episodes
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Similar to Art of the Cut
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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