** Drive By Truckers ** Part 3 - 2-24-06

Athcast - Athens Music!

Drive By Truckers

Home Is Where The Heart Is:
Patterson Hood Talks About The Drive-By Truckers' Life On The Road, Community Involvement And Why The Band May Need Some Time Off
This article was originally published November 1, 2006 by Gretchen Wood at Flagpole Magazine
Patterson Hood, leader of the Drive-By Truckers, tidies the remains of his toddler's rejected lunch and brews yet another pot of coffee. He pours a cup of joe before settling down at the curvy red Formica table for a visit. This caffeinated domesticity disguises his tour-weary burnout as he prepares to leave on the last stint of what he describes as "one very long year."
For the uninitiated, a shortcut comparison of the Truckers' music to contemporaries like Wilco and Son Volt does disservice to their stubborn individuality. Their kind of rocking alludes to Sticky Fingers-era Rolling Stones with a dose of soupy-good Richard Thompson licks thrown in behind Hood's gut-felt rasp or Mike Cooley's baritone growl. Their latest album A Blessing And A Curse, an end-product of the combined talents of Hood, Cooley, guitarist-vocalist Jason Isbell, bassist Shonna Tucker and drummer Brad Morgan, beckons like a cigarette-smoking siren that captured a little wisdom after she got her heart broke instead.
It's gratifying to see how far our boy Patterson has come since his earliest days performing at now-defunct downtown venues like the High Hat Club and Atomic Ballroom. He always could bite the head off a song like a carny chicken geek. Over the last decade, he has refined that stage-presence, shedding much of the novelty he once hid behind. Maturity has honed his articulateness into powerful, heartfelt songwriting mated with balls-on rockin' that transcends the somewhat limiting Southern rock label and has earned the Drive-By Truckers critical raves. Relentless touring has won the band legions of fans, but the business of conjuring up a sincere, soulful performance night after night takes its toll on a person.
"I get so burned out from being on the road all the time and missing my family. People can run into me sometimes and think that I am an ungrateful, spoiled asshole, because all I do is bitch ‘cause I'm homesick," Hood says, but this defies the good nature and generous spirit that has characterized him during the last 10 years he's called Athens home.
Exercising that generous spirit, the Drive-By Truckers will undoubtedly pack the 40 Watt on their annual two-night engagement to benefit musicians' resource center Nuçi's Space on Friday, Nov. 3 and Saturday, Nov. 4. Having graduated to playing 1,000–2,000 capacity rooms, these 40 Watt dates will be especially intimate shows. For a band with so much rising cachet, giving back to the community remains a high priority as success comes a-calling.
"I can't think of a better place to use my good fortune. I'm lucky enough to do what I love and - for the time being at least - make a living at it, " says Hood. "I can't say enough about what Nuçi's Space has done for the community. It seems like it ought to be used and supported even more than it is. I think a lot of people just don't know what they do; they think it's just this funny little, blue building down the hill."
In that funny, little blue building at the corner of Oconee and Williams streets, not only can local musicians book inexpensive rehearsal time, find a music instructor, nose through the center's library and get an axe repaired, they can also schedule physical examinations by an M.D. and get referrals for low-cost mental health services. Ironically, all this goodness was borne out of the suicide of the founder's son, Nuçi Phillips.
"Linda Phillips is amazing, " says Hood. "She took the worst possible, personal tragedy and turned her grief into something that has helped a lot of people. It's a beautiful thing. To me, that's the best of what we as a people can do, so, I'll do anything I can do to honor and support that.”
With their rising fame, the Drive-By Truckers are giving back to the community, one that was so generous during the band's lean times. Hood was verifiably homeless when the career-transforming, concept album Southern Rock Opera came out. He credits the 40 Watt's support for aiding the Truckers' success. Despite this year's heavy tour schedule, he looks forward to returning to its stage.
"I like that now we can sell out that room pretty much any time we come to town. It's a nice feeling," he laughs. "It's like, 'aren't you glad you supported us then?'"
Hood and the Truckers' charitable endeavors follow a trend established by other successful musicians in Athens to give back to a community that supported them in their formative years. Their support also extends to their fellow musicians, with Hood citing favorites ranging from Don Chambers and Mother Jackson to Kimberly Morgan ("I've never seen anybody that fearless on stage!" he says of the local country singer.) Also, he teamed up with David Barbe to produce The Dexateens' newest release Hardware Healing. He raves, "I'm so proud of them! They are a great band."
But why hassle himself with helping? "A lot of good bands don't really break through, and we've been really lucky in that regard," Hood explains. "Lucky and hard workers. Musicians in general, the real people who do it because they feel like they have a calling. I think those people tend to be pretty idealistic, try to make what difference they can."
That calling to rock and roll is what filmmaker Barr Weissman has been exploring in his upcoming documentary about the Drive-By Truckers.
"Barr's not a music guy. That's what attracted us to him when he first made the pitch to us," says Hood. "He had never done anything that had to do with music before, and we really liked that. We didn't want to do a music video or a business kinda thing, a band versus their record company story. His pitch to us was that he considered himself one of those people who uses that phrase, 'rock and roll saved my life as a teenager.' He wanted to [make] a love letter to those aspects of rock 'n' roll that starred us.
"That's one of the things all the members of our band all have in common is we all fall into that group of people that never really found anything that we fit into other than rock 'n' roll music."
Now in post-production, the film is slated for a tour of film festivals next year.
For himself, Hood recently wrapped tracking his forthcoming solo record at Barbe's Chase Park Transduction with Will Johnson and Scott Danbom, both of Centro-matic. Although he says that 2007 will be a year off for the Truckers, he plans on playing some dates behind that album, "but not like how Drive-By Truckers tour. Different, smaller places. Not as many of them," he hastens to add.
No matter how busy Hood gets, a smattering of dream projects tweak his imagination. "I'd love to work with William Bell. I'd love to do something with Bobby Womack…" His eyes light up. "I love Bobby Womack." A smile erupts. "Bettye LaVette is a dream project! I'd love to work with her on some kind of level. Tom T. Hall… if he ever wants to come out of retirement, I would love to produce a record for him."
Until then, during the 22 hours a day he and the Truckers aren't onstage, Patterson Hood marinates in the back lounge of the bus cozied up with a maxed-out iPod, looking forward to trick or treating with his daughter and playing the benefit for Nuçi's Space.
"I can't change the world, and I can't even change the country, but maybe I can do a little bit of good right here," he says.
(c) Flagpole Magazine, Gretchen Wood 2006
"DBT's three front men/guitarists/songwriters: Patterson Hood, long time running partner Mike Cooley and guitar wizard Jason Isbell, make for a triumvirate that would crumble a lesser band. Hood explains, "We are all very close, in a family kind of way, albeit a sometimes dysfunctional one. We fight, sometimes very hard, but couldn't continue with such strong opinions and personalities without a huge degree of mutual respect for each other personally and artistically." In a live setting, that respect takes shape as intricate, driving interlocking hard guitar rock, nimble as a ballet dancer with too much Jack Daniels in her, and with the emotional impact of Walker Percy slamming into you with an out of control stock car. But all hyperbole aside, they avoid the trap of caricature in their songs, instead building their poetry out of the sweetest and harshest thing available in this world - love and the pain that comes with it."