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Sounding Out! “Six ‘Shots”in Dallas: ‘Framing’ the Perpetrator of the Kennedy Assassination through the Zapruder Film, 1963-2013:” Read by the Author

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Manage episode 357796785 series 1323598
Content provided by Rick Reiman. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Rick Reiman or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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In this unabridged audio narration, I read my article for The Journal of Perpetrator Research (2019) Vol: 2 Issue: 2. There were only three actual “shots” in Dealey Plaza on that dark day, of course. They were the bullets fired by Lee Harvey Oswald from the sixth floor of the Texas School Book Depository building. But photographs are also metaphoric “shots,” and three were captured in the same seconds that the rifle blasts rang out, by the Dallas dressmaker Abraham Zapruder with his 35-millimeter Bell and Howell Zoomatic camera. Three frames from this 26-second film represented the key photographs in this case, and they were to reverberate throughout American culture for decades to come. They were at once reflections, projections and evidence, as this article reveals.

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244 episodes

Artwork
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Manage episode 357796785 series 1323598
Content provided by Rick Reiman. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Rick Reiman or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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In this unabridged audio narration, I read my article for The Journal of Perpetrator Research (2019) Vol: 2 Issue: 2. There were only three actual “shots” in Dealey Plaza on that dark day, of course. They were the bullets fired by Lee Harvey Oswald from the sixth floor of the Texas School Book Depository building. But photographs are also metaphoric “shots,” and three were captured in the same seconds that the rifle blasts rang out, by the Dallas dressmaker Abraham Zapruder with his 35-millimeter Bell and Howell Zoomatic camera. Three frames from this 26-second film represented the key photographs in this case, and they were to reverberate throughout American culture for decades to come. They were at once reflections, projections and evidence, as this article reveals.

Twitter Facebook
  continue reading

244 episodes

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