In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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S19 - Ep 4 - Drugstore June - Cinematography
Manage episode 411192063 series 2440576
Content provided by Skid - DGA Assistant Director. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Skid - DGA Assistant Director or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
“Drugstore June”, starring Esther Povitsky, is a refreshingly low-key comedy that I sincerely enjoyed. Indie filmmaking is challenging, and Cinematographer Sherri Kauk explains how she worked with Director Nicholaus Goossen and the rest of the crew on issues of budget and schedule, ensuring that they got the most bang for their limited buck. She also shares insights that I wouldn’t have picked up on my own, like the different visual style of each act and how she plays with color throughout the film. And lest you think I forgot: I ask about that two-foot tall gummi bear baby.
222 episodes
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Manage episode 411192063 series 2440576
Content provided by Skid - DGA Assistant Director. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Skid - DGA Assistant Director or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
“Drugstore June”, starring Esther Povitsky, is a refreshingly low-key comedy that I sincerely enjoyed. Indie filmmaking is challenging, and Cinematographer Sherri Kauk explains how she worked with Director Nicholaus Goossen and the rest of the crew on issues of budget and schedule, ensuring that they got the most bang for their limited buck. She also shares insights that I wouldn’t have picked up on my own, like the different visual style of each act and how she plays with color throughout the film. And lest you think I forgot: I ask about that two-foot tall gummi bear baby.
222 episodes
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Similar to BELOW THE LINE PODCAST
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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