On Crystals, Vampires and Tennis – with Mena El Shazly

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Food & Wine has led the conversation around food, drinks, and hospitality in America and around the world since 1978. Tinfoil Swans continues that legacy with a new series of intimate, informative, surprising, and uplifting conversations with the biggest names in the culinary industry, sharing never-before-heard stories about the successes, struggles, and fork-in-the-road moments that made them who they are today. Each week, you'll hear from icons and innovators like Daniel Boulud, Guy Fieri, Mashama Bailey, and Maneet Chauhan, going deep on their formative experiences, the dishes and meals that made them, their joys, doubts and dreams, and what's still on the menu for them. Tune in for a feast that'll feed your brain and soul — and plenty of wisdom and quotable morsels to savor later. New episodes every Tuesday.

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In this episode of Below the Radar, host Am Johal sits down with Mena El Shazly, a visual artist specializing in moving image creation, curation, and programming. Her practice speculates on notions of presence and transcendence in the digital world, exploring how processes of decay provide alternative forms of transformation and regeneration. They discuss her approach to time-based media, how the collaborative Death Spells project explores the ancient Egyptians afterlife obsessions, the Sudanese Crystalist movement, and how a teenage visit to Dracula’s castle unexpectedly waylaid her tennis career, steering her toward a life in art. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/257-mena-el-shazly.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/257-mena-el-shazly.html Resources: Mena El Shazly: https://substantialmotion.org/profile/mena-el-shazly The Crystalist Manifesto: https://post.moma.org/modern-art-in-the-arab-world-primary-documents-the-crystalist-manifesto/ The Motion of the Image: https://thecinematheque.ca/films/2024/motion-image The Lind Biennial: https://thepolygon.ca/exhibition/the-lind-biennial/ Stir ‘Splainer: 5 artists at The Lind Biennial exhibition at the Polygon Gallery: https://www.createastir.ca/articles/lind-biennial-stir-splainer Small File Media Festival: https://smallfile.ca/ Bio: Mena El Shazly is a visual artist who works with analogue video, embroidery and performance. Her practice speculates on notions of presence and transcendence as informed by the internet culture and ancient rituals, and explores practices of cultivating decay to arrive at alternative forms of transformation and regeneration. Exhibitions of her work include Polygon Gallery, Vancouver (2024), Grand Egyptian Museum, Cairo (2024), and House of World Cultures, Berlin (2015). She was a fellow of the Home Workspace Program at Ashkal Alwan in Beirut (2015). El Shazly is based in Vancouver on unceded territories of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and səl̓ilwətaɁɬ First Nations. She obtained an MFA from the School for the Contemporary Arts at Simon Fraser University in Vancouver (2023) and a BA from the American University in Cairo (2013). El Shazly also has a well-established curatorial practice. She is the Artistic Director of the Cairo Video Festival organized by Medrar and a programmer at the Small File Video Festival. Cite this episode: Chicago Style Johal, Am. “On Crystals, Tennis and Vampires — with Mena El Shaly.” Below the Radar, SFU’s Vancity Office of Community Engagement. Podcast audio, December 3, 2024. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/257-mena-el-shazly.html. Tags: SFU, SFU’s Vancity Office of Community Engagement, Simon Fraser University, Am Johal, Below the Radar, Mena El Shazly

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