In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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The Roulette Tapes- John King: Free Radicals
Manage episode 386898307 series 2027778
Content provided by Brooklyn Free Speech Radio. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Brooklyn Free Speech Radio or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Composer and multi-instrumentalist John King (viola, guitar, electronics) in excerpts and commentary from six appearances at Roulette where his solo, small and large ensemble, and "politically tinged" works have appeared since the mid-1980s. This program features performances by collaborators including vocalist Gelsey Bell, bassist William Parker, violist Joanna Mattrey, Crucible String Quartet, TILT Brass, Cornelius Dufallo's Secret Quartet, The String Orchestra of Brooklyn, Brooklyn Youth Chorus, and one of his scores for the Merce Cunningham Dance Company.
https://roulette.org/
1067 episodes
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Manage episode 386898307 series 2027778
Content provided by Brooklyn Free Speech Radio. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Brooklyn Free Speech Radio or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Composer and multi-instrumentalist John King (viola, guitar, electronics) in excerpts and commentary from six appearances at Roulette where his solo, small and large ensemble, and "politically tinged" works have appeared since the mid-1980s. This program features performances by collaborators including vocalist Gelsey Bell, bassist William Parker, violist Joanna Mattrey, Crucible String Quartet, TILT Brass, Cornelius Dufallo's Secret Quartet, The String Orchestra of Brooklyn, Brooklyn Youth Chorus, and one of his scores for the Merce Cunningham Dance Company.
https://roulette.org/
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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