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Buster Williams

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Content provided by Phil Freeman. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Phil Freeman or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Episode 20 of the Burning Ambulance podcast features an interview with bassist Buster Williams.

Buster Williams is a jazz MVP like very few others. He got his start in the late Fifties; his first studio dates were in 1961, with Gene Ammons and Sonny Stitt, and he’s appeared on literally hundreds of records since. When I was researching this interview, I was going through his catalog on Discogs, and as you’ll hear, there are a whole bunch of albums he did in the Sixties that they don’t even have listed. He’s played with Miles Davis, Art Blakey, Herbie Hancock, the Jazz Crusaders, and a bunch of different singers. He’s played bass on so many records, he’s even on some where a different bassist is the leader – he’s made a couple of albums with Ron Carter. He doesn’t record very often as a leader, but when he does the music is always fantastic. The reason he stays in the back is, he really views his role as a supportive member of the ensemble to be crucial. He’s trying to provide a bottom end, and feed harmonies to the horns and the piano, and especially a singer. What he has to say about working with singers in this interview really fascinated me, and I hope you’ll find it as interesting as I did.

I’m gonna be honest, I really feel like I learned a tremendous amount about how jazz works by talking to Buster Williams. I can’t read music, I can’t really play any instruments, but I found what he had to say about how a group should work together, and what his role is, extremely enlightening, and it’s probably going to change the way I listen going forward. I’m thrilled I had the opportunity to have this conversation with him, and I hope you'll enjoy listening to it.

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85 episodes

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Buster Williams

Burning Ambulance Podcast

26 subscribers

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Manage episode 211673543 series 2113766
Content provided by Phil Freeman. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Phil Freeman or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Episode 20 of the Burning Ambulance podcast features an interview with bassist Buster Williams.

Buster Williams is a jazz MVP like very few others. He got his start in the late Fifties; his first studio dates were in 1961, with Gene Ammons and Sonny Stitt, and he’s appeared on literally hundreds of records since. When I was researching this interview, I was going through his catalog on Discogs, and as you’ll hear, there are a whole bunch of albums he did in the Sixties that they don’t even have listed. He’s played with Miles Davis, Art Blakey, Herbie Hancock, the Jazz Crusaders, and a bunch of different singers. He’s played bass on so many records, he’s even on some where a different bassist is the leader – he’s made a couple of albums with Ron Carter. He doesn’t record very often as a leader, but when he does the music is always fantastic. The reason he stays in the back is, he really views his role as a supportive member of the ensemble to be crucial. He’s trying to provide a bottom end, and feed harmonies to the horns and the piano, and especially a singer. What he has to say about working with singers in this interview really fascinated me, and I hope you’ll find it as interesting as I did.

I’m gonna be honest, I really feel like I learned a tremendous amount about how jazz works by talking to Buster Williams. I can’t read music, I can’t really play any instruments, but I found what he had to say about how a group should work together, and what his role is, extremely enlightening, and it’s probably going to change the way I listen going forward. I’m thrilled I had the opportunity to have this conversation with him, and I hope you'll enjoy listening to it.

  continue reading

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