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How Streaming Continues to Shape the Music Industry

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Archived series ("Inactive feed" status)

When? This feed was archived on November 25, 2023 11:10 (5M ago). Last successful fetch was on September 06, 2023 21:30 (8M ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 220672825 series 1849794
Content provided by Manus Hopkins, NWC, and Canadian Musician Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Manus Hopkins, NWC, and Canadian Musician Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This week, we take an in-depth look at the past, present, and future of music streaming and its role in the music industry with Catherine Moore, musicologist and adjunct professor of music technology and digital media at the University of Toronto’s Faculty of Music. We look at the very different ways the record labels reacted to two digital disruptions: peer-to-peer downloading and streaming. We also chat about how streaming has changed the economics of music, how it's changing music listening habits, the streaming services’ licensing deals with labels, whether Spotify and others can ever become sustainably profitable, and much more. We end by looking at some significant business moves the big streaming services have made recently and what this indicates about their plans for the future.

Before that, we also check in with Andrew Williams, an Alberta-based DJ and promoter and also one of the founders of the Alberta Electronic Music Conference (AEMCON), which is holding its third edition from Nov. 15-18 at the National Music Centre in Calgary. We get a preview of the event and ask Andrew about issues currently affecting electronic musicians in Canada.

  continue reading

535 episodes

Artwork
iconShare
 

Archived series ("Inactive feed" status)

When? This feed was archived on November 25, 2023 11:10 (5M ago). Last successful fetch was on September 06, 2023 21:30 (8M ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 220672825 series 1849794
Content provided by Manus Hopkins, NWC, and Canadian Musician Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Manus Hopkins, NWC, and Canadian Musician Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This week, we take an in-depth look at the past, present, and future of music streaming and its role in the music industry with Catherine Moore, musicologist and adjunct professor of music technology and digital media at the University of Toronto’s Faculty of Music. We look at the very different ways the record labels reacted to two digital disruptions: peer-to-peer downloading and streaming. We also chat about how streaming has changed the economics of music, how it's changing music listening habits, the streaming services’ licensing deals with labels, whether Spotify and others can ever become sustainably profitable, and much more. We end by looking at some significant business moves the big streaming services have made recently and what this indicates about their plans for the future.

Before that, we also check in with Andrew Williams, an Alberta-based DJ and promoter and also one of the founders of the Alberta Electronic Music Conference (AEMCON), which is holding its third edition from Nov. 15-18 at the National Music Centre in Calgary. We get a preview of the event and ask Andrew about issues currently affecting electronic musicians in Canada.

  continue reading

535 episodes

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