In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Henry Selick on Coraline (2009)
Manage episode 434333004 series 2996022
Content provided by LAB111. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by LAB111 or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
To celebrate the 15th anniversary of the acclaimed stop-motion epic Coraline, Laura Gommans had the distinct pleasure of speaking with Henry Selick about his illustrious career and lifelong love for cinema. From scary tales at Aunt Lib's house to being terrified by the cyclops in The 7th Voyage of Sinbad, Henry reveals the origins of his eerie yet tender storytelling style. His obsession with stop-motion animation has not only pushed the boundaries of filmmaking but also reimagined what children's narratives can be. Henry passionately explains why it's crucial for children to experience a touch of fear in films, believing it helps them navigate and understand the complexities of the world.
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Manage episode 434333004 series 2996022
Content provided by LAB111. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by LAB111 or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
To celebrate the 15th anniversary of the acclaimed stop-motion epic Coraline, Laura Gommans had the distinct pleasure of speaking with Henry Selick about his illustrious career and lifelong love for cinema. From scary tales at Aunt Lib's house to being terrified by the cyclops in The 7th Voyage of Sinbad, Henry reveals the origins of his eerie yet tender storytelling style. His obsession with stop-motion animation has not only pushed the boundaries of filmmaking but also reimagined what children's narratives can be. Henry passionately explains why it's crucial for children to experience a touch of fear in films, believing it helps them navigate and understand the complexities of the world.
Book your tickets for Coraline @ LAB111
78 episodes
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Similar to Celebrating Cinema
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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