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2. Ambient NASA Launch

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Manage episode 122089492 series 114140
Content provided by Charlie McCarron. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Charlie McCarron or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
I love making ambient music, because it feels like the equivalent of finger painting – you can smear things around by stretching out long tones and soaking them in reverb. No sound seems out of place if you bring it in gradually and keep it there for a while. In this episode, I talk about how to create tension in ambient music by holding notes longer than you think you should. This production lesson originally aired in Composer Quest episode 54 with Marc Weidenbaum. For more music production lessons and composer interviews, visit composerquest.com.
  continue reading

30 episodes

Artwork
iconShare
 
Manage episode 122089492 series 114140
Content provided by Charlie McCarron. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Charlie McCarron or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
I love making ambient music, because it feels like the equivalent of finger painting – you can smear things around by stretching out long tones and soaking them in reverb. No sound seems out of place if you bring it in gradually and keep it there for a while. In this episode, I talk about how to create tension in ambient music by holding notes longer than you think you should. This production lesson originally aired in Composer Quest episode 54 with Marc Weidenbaum. For more music production lessons and composer interviews, visit composerquest.com.
  continue reading

30 episodes

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