In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Orson Welles Created The 'Star Role' in The Third Man
Manage episode 379980032 series 3489183
Content provided by IGN Podcast Network, CINEFIX, and Clint Gage. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by IGN Podcast Network, CINEFIX, and Clint Gage or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
"They had 500 years of democracy and peace and what did that produce? The cuckoo clock."
Carol Reed’s The Third Man is a gorgeously photographed bit of post-war film noir that gave us one of the greatest grins in the history of cinema. It also gave us a ton of zither! Clint, Cal and Alex dive into the classic detective yarn that’s not really about a detective at all. They discuss the dutch angles that kept Joseph Cotton on his heels for most of the film, just how bad a guy Orson Welles as Harry Lime really is and just how bad a guy Orson Welles was on set, as legends have it. It got booted off of AFI’s Top 100 movies list but find out where it ranks on the CineFix Top 100!
Meanwhile, producer Dan’s algorithm is somewhere under the rubble of post-war Vienna…
CineFix Top 100 is produced by Tayo Oyekan, with Director of Photography, Jamie Parslow and Technical Producer, Marhyan Franzen. Our Executive Producers are Clint Gage, Dan Parkhurst and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon.
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36 episodes
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Manage episode 379980032 series 3489183
Content provided by IGN Podcast Network, CINEFIX, and Clint Gage. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by IGN Podcast Network, CINEFIX, and Clint Gage or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
"They had 500 years of democracy and peace and what did that produce? The cuckoo clock."
Carol Reed’s The Third Man is a gorgeously photographed bit of post-war film noir that gave us one of the greatest grins in the history of cinema. It also gave us a ton of zither! Clint, Cal and Alex dive into the classic detective yarn that’s not really about a detective at all. They discuss the dutch angles that kept Joseph Cotton on his heels for most of the film, just how bad a guy Orson Welles as Harry Lime really is and just how bad a guy Orson Welles was on set, as legends have it. It got booted off of AFI’s Top 100 movies list but find out where it ranks on the CineFix Top 100!
Meanwhile, producer Dan’s algorithm is somewhere under the rubble of post-war Vienna…
CineFix Top 100 is produced by Tayo Oyekan, with Director of Photography, Jamie Parslow and Technical Producer, Marhyan Franzen. Our Executive Producers are Clint Gage, Dan Parkhurst and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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