In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 80: Decision to Leave & Vertigo
Manage episode 348122978 series 1202802
Content provided by Cinema in Context. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cinema in Context or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Detective thrillers from great heights. Sarah Watt, Jeremy Downing and William Chen discuss Decision to Leave (2022) and Vertigo (1958). We begin by expressing our reactions to Alfred Hitchcock's Vertigo, with a range of reflections. We discuss the representation of gender and power in the film, while trying figure out what the film is trying to say. We move our conversation to Park Chan-wook's most recent film Decision to Leave, similarly discussing our reactions to the movie. We praise the films visuals and editing, we compare the two films to Film Noir, we discuss the plot details and plot holes of the films, and the performances of the leads.
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107 episodes
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Manage episode 348122978 series 1202802
Content provided by Cinema in Context. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cinema in Context or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Detective thrillers from great heights. Sarah Watt, Jeremy Downing and William Chen discuss Decision to Leave (2022) and Vertigo (1958). We begin by expressing our reactions to Alfred Hitchcock's Vertigo, with a range of reflections. We discuss the representation of gender and power in the film, while trying figure out what the film is trying to say. We move our conversation to Park Chan-wook's most recent film Decision to Leave, similarly discussing our reactions to the movie. We praise the films visuals and editing, we compare the two films to Film Noir, we discuss the plot details and plot holes of the films, and the performances of the leads.
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continue reading
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Similar to Cinema in Context
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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