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SPRING BREAKERS (2012)—Happiness is a Warm, Neon, Whisky-Coated Handgun

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Manage episode 286709802 series 2841664
Content provided by The Cultists. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Cultists or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

On this week’s deep dive, The Cultists Present Harmony Korine's controversial cult flick ‘Spring Breakers’ (2012). Booze, bikinis, pissing in the streets, temporal existentialism, Disney-girls-gone-wild, flirtation with French New Wave, Brechtian theater... this movie has a little bit of everything. The one thing this film doesn’t have is an audience consensus on what to do with it. Is this film—once described as a 'a sleaze-fest akin to Michael Mann on mescaline'—good? Bad? A shallow exploitation film? A masterpiece of cultural critique? A tasteless ultra-violent beach noir? Or a deeply emotion-driven love story about the purest kinds of love? The answer, it seems, is, “yes.”

Episode Safeword: “moderation”

  continue reading

72 episodes

Artwork
iconShare
 
Manage episode 286709802 series 2841664
Content provided by The Cultists. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Cultists or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

On this week’s deep dive, The Cultists Present Harmony Korine's controversial cult flick ‘Spring Breakers’ (2012). Booze, bikinis, pissing in the streets, temporal existentialism, Disney-girls-gone-wild, flirtation with French New Wave, Brechtian theater... this movie has a little bit of everything. The one thing this film doesn’t have is an audience consensus on what to do with it. Is this film—once described as a 'a sleaze-fest akin to Michael Mann on mescaline'—good? Bad? A shallow exploitation film? A masterpiece of cultural critique? A tasteless ultra-violent beach noir? Or a deeply emotion-driven love story about the purest kinds of love? The answer, it seems, is, “yes.”

Episode Safeword: “moderation”

  continue reading

72 episodes

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