Player FM - Internet Radio Done Right
0-10 subscribers
Checked 2d ago
Added nine years ago
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!
Go offline with the Player FM app!
Podcasts Worth a Listen
SPONSORED
<
<div class="span index">1</div> <span><a class="" data-remote="true" data-type="html" href="/series/ask-grumpy">Ask Grumpy</a></span>


Ask Grumpy, a podcast featuring Steve Bender, AKA Southern Living’s Grumpy Gardener is back for Season 3. For more than 30 years, Grumpy has been sharing advice on what to grow, when to plant, and how to manage just about anything in your garden. Tune in for short episodes every Wednesday and Saturday as Grumpy answers reader questions, solves seasonal conundrums, and provides need-to-know advice for gardeners with his very Grumpy sense of humor. Be sure to follow Ask Grumpy wherever you listen so you don't miss an episode.
China syndrome
Manage episode 473099822 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
"I based my composition upon the 5 note motif from the original field recording incorporated at the beginning of the piece and repeated throughout using predominantly Asian instruments."
Musical instrument on the Great Wall of China reimagined by Scott Lawrence Whitman.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
IMAGE: Prince Roy, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0>, via Wikimedia Commons
Musical instrument on the Great Wall of China reimagined by Scott Lawrence Whitman.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
IMAGE: Prince Roy, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0>, via Wikimedia Commons
688 episodes
Manage episode 473099822 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
"I based my composition upon the 5 note motif from the original field recording incorporated at the beginning of the piece and repeated throughout using predominantly Asian instruments."
Musical instrument on the Great Wall of China reimagined by Scott Lawrence Whitman.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
IMAGE: Prince Roy, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0>, via Wikimedia Commons
Musical instrument on the Great Wall of China reimagined by Scott Lawrence Whitman.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
IMAGE: Prince Roy, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0>, via Wikimedia Commons
688 episodes
כל הפרקים
×
1 Hydrophone recording of photosynthesis activity 4:12
4:12
Play Later
Play Later
Lists
Like
Liked4:12
Hydrophones at the bottom of a seasonal pond, in the ecologically rich Orchard St Marsh and Forest which is threatened by a developer who wants to build condos. Recorded by Matt Rogalsky.
"Like so many other areas, time is running out for the wetlands at Orchard Street Marsh, Canada. Development decisions are under review. To reflect this in my piece, I have kept the sound of the hydrophone from the original recording as a time clock. "Accompanying, I have played layers of tenor recorder to represent the harmony of breath beneath the water. You will also hear the natural sounds of the wetland in real time; the fluid movements of carbon storage, flood control and biodiversity." Wetland in Kingston, Canada reimagined by Cheryl Beer.…
This recording captures the sferic sounds from an electrical storm that occurred on 30.03.2025. The fizzes, crackles and zaps are from natural electrical phenomena, specifically broadband electromagnetic (EM) impulses caused by lightning discharges, that were detected via a homemade receiver I adapted from the Shortwave Collective’s Open Wave-Receiver. There are 3 recordings, the first half is prior to a power blackout, the second half is after - showcasing the atmospheric sounds without human-made EM noise. The third recording was taken with an ultrasonic mic capturing the rumblings and movements which provides the base notes of this piece. Recorded by Aliesha King.…
In the Chocó jungle near Capurganá, Colombia, the natural soundscape is interrupted by the hum of generators. This recording captures the morning interplay between the haunting calls of howler monkeys and the mechanical drone of generators, creating a unique, chaotic harmony. Recorded by Rafael Diogo.…
The selected recording was made at a roadside metal cross surrounded by a fence, marking the burial place of cholera epidemic victims. Behind the cross, a short distance from the road, the old burial plot has turned into a wild pond covered with duckweed. You can hear a flock of tits flying over the water surface, dragonflies interested in the microphones, and at one point, a raven appears on a tall tree. Only three cars pass by. This recording is a part of the Funereal project, an artistic and research project based on the practice of field recordings in old cemeteries. It is set in the broad context of death studies and considerations on memorial sites and deathscapes. It focuses on the soundscapes related to the heterotopic space of old, forgotten cemeteries. In its considerations, it combines seemingly distant threads, regarding memory, sound ecology and the parascientific EVP - Electronic Voice Phenomena. https://soundcloud.com/user-685437514 The recording has not been modified. The project assumes a deliberate search for places free from anthropophonic noise, green enclaves of cemeteries, but it also indicates that this task is almost hopeless. It is still, a search for deep contemplation in the world full of excess stimuli and information. Recorded by Lena Achtelik.…
"What grabbed me about the original rainforest recording from Colombia was hearing two opposites collide – the raw, wild roars of howler monkeys and a strange, mechanical buzz. The longer I listened, the more apparent it became that this recording, much like the composition it inspired, revolves fundamentally around the idea of distance. Different kinds of proximity mix here – the clash of nature and machines, things that are near or far (those birds!). It provokes urgent questions: What is our place in nature? Where do we fit in the chain of evolution? What is our impact on the surroundings? "That friction between what’s wild and what’s wired creates a kind of unease. You can hear it in the music: a low, unsettling rumble, sharp spikes of noise, and a quiet ache that hums underneath. It’s that feeling when things don’t quite line up - like we’re close to nature, but also miles apart." Choco rainforest, Colombia reimagined by Przemysław Scheller.…
"My composition “Skała” (which means rock) is based on a field recording from the Skała Choleric Jewish Cemetery in Pabianice, Poland. One might think what sounds could there be in a cemetery? Silence? Wind? Birds? When I first heard this field recording what I heard were the sounds of history. A very deep complicated history. Skała dates back to the 13th century, and the first Jews appeared settled there at the end of the 18th century. "After the German army entered the town in September 1939, the Jewish community was immediately targeted with persecutions. And by the spring of 1941, an open ghetto of 3,000 Jews was established in Skała. In August 1942, some of them were deported to the Słomniki Ghetto, and then to the Bełżec extermination camp. The rest were murdered in the town or in local Jewish cemetery. It is with this historic background that I composed “Skała”. "I was interested in the dual possibility of such a tragic history lying under the ground, while up above the peaceful sounds of silence, wind, and birds were in the air. This is my attempt to create a piece of music that would embody both realities. Electronic sounds relating to both worlds have been layered and woven together around the original field recording, to create a new way of thinking about this sacred place. “The traces were still there. But time would slowly blur them and nothing would be left.” – Edgar Hilsenrath Cemetery in Pabiance, Poland reimagined by Jeff Dungfelder.…
"This composition is built entirely from a field recording of an electrical storm, whose raw energy and unpredictable structure inspired the form of the piece. I preserved the full length of the original audio, allowing its natural rise and fall to guide the listening experience. "Through heavy processing, the storm’s dynamics are brought into sharper focus — from piercing, harsh bursts of energy to more subdued, crackling textures. Randomized sound transformations reflect the storm’s inherent volatility, creating a sonic environment that is both violent and delicate, chaotic and contemplative." Electrical storm in Perth reimagined by Stefan Strasser.…
"I live on the Danish island of Bornholm, which is in the western end of the Baltic Sea. People here share a long, rich history with the Baltic countries, so choosing a field-recording from Tallinn felt natural. The dastardly Russian war feels really close here at the moment, and many of us here are more conscious about our cultural heritage and friendship across the sea now than we used to be. "This is, however, not a work about war, but more about celebrating the fact that we're still able to take a silly walk through the old historical part of Tallinn, not being at war, walking through a town that isn't in ruins - and simply exploring and enjoying what that's like. "As you can probably hear, all sounds heard throughout the piece are from the original field-recording. I've used samplers and various sampling effects (like delays and reverbs), and a ton of manual edits (literally thousands of manual edits made over a two week period). The tonal sounds were made with "frozen reverbs". All this editing mainly serves to enhance the original recording, which is kept mostly intact (the enhanced version follows the original recording closely - and therefore also ahas the same duration). "The effect is a sort of personal interpretation of micro-events along the way, as I responded to them while slowly working my way through the piece. "The idea of doing it this way was partly inspired by reading Wittgenstein's "Philosphische Untersuchungen". At one point the philosopher asks about thought-images: "How does one point twice at the same image?" (PU 382), - and, in a way, this way of working with field recordings is a possible answer to this - presenting the same image twice in two different versions at the same time." Tallinn old town walkthrough reimagined by Samatha Dubs (Karsten Høegh).…
Walkthrough of Tallinn's medieval Old Town, a UNESCO World Heritage site, on a morning with pouring rain. The streets are quite empty compared to the usual bustle, and we hear rain overflowing from drainpipes and gutters. The soundwalk ends at the famous, beautiful medieval alleyway St. Catherine's Passage. Recorded by Cities and Memory.…
"The port of Brindisi, end of the Appian Way at five in the afternoon, along the steps at the foot of the Roman columns. "Two stretches of still and silent sea, the engine of the boat that connects the shores of the port, the bar and its cheerful customers, birds singing in spring, a sudden plane that takes flight from the nearby airport. "A counterpoint with an insistent rhythm that melts and drops a semitone at the moment of takeoff and detachment before nostalgia. An instant in a place of transit for centuries, voices and travellers who went." Brindisi port reimagined by Giuseppe Schirone. IMAGE: Freccia53, CC BY-SA 4.0 < https://creativecommons.org/licenses/by-sa/4.0 >, via Wikimedia Commons…
The port of Brindisi, end of the Appian Way at five in the afternoon, along the steps at the foot of the Roman columns. Two stretches of still and silent sea, the engine of the boat that connects the shores of the port, the bar and its cheerful customers, birds singing in spring, a sudden plane that takes flight from the nearby airport. Recorded by Giuseppe Schirone. IMAGE: Freccia53, CC BY-SA 4.0 < https://creativecommons.org/licenses/by-sa/4.0 >, via Wikimedia Commons…

1 Radio France Sonic Heritage feature, May 2025 (French language) 2:18
2:18
Play Later
Play Later
Lists
Like
Liked2:18
Feature on French national radio station Radio France on Sonic Heritage, broadcast on 9 May 2025 - French language only. "Une bibliothèque où sont rangés les environnements sonores de 270 sites du patrimoine mondial de l’UNESCO Et aussi des objets immatériels , tous réimaginés par des artistes du monde entier. « Accessible gratuitement cette collection permet d’écouter les sons emblématiques du Taj Mahal, des gondoles de Venise, du Fado portugais et de la Tour Eiffel » lit-on dans Times.. Le nouveau projet de l’artiste que l’on pourrait dire gigogne vient s’intégrer à une collection encore plus vaste Cities and memory qui donne d’ailleurs son nom au site internet où l’on peut naviguer sur des cartes interactives à la recherche d’un lieu du monde que l’on voudrait visiter par les oreilles. Cathédrales, ponts, monuments, parcs et square, places et marchés mais aussi danses et chants traditionnels. Aujourd’hui elle compte près de 7000 enregistrements réalisés par plus de 2000 artistes dans 130 pays. Sonic Heritage, la bibliothèque sonore de 270 sites du patrimoine mondial de l’Unesco à retrouver sur le site internet citiesandmemory.com "…
This recording captures the early morning sounds of an ancient Waorani warrior in the Ecuadorian Amazon. Staying with him in his traditional palm-thatched longhouse, the tranquility of the environment was profound, with minimal external noise. Despite a language barrier—he spoke only Waorani (Sabela)—we connected through gestures and shared moments. At dawn, as we emerged from our hammocks, I asked if I could record him. The resulting sounds offer a glimpse into a way of life that has remained largely unchanged for centuries, providing a powerful auditory link to the past. Recorded in the Amazon rainforest, Ecuador by Rafael Diogo.…
"The original field recording is awesome so I wanted to keep as much of that as I could in the new piece. The background rhythm is created from a small sample of the orginal with some echo added. I then added some background melodies and overlay the original recording." Ancient Waorani Icaro in Ecuador reimagined by Richard Watts.…
"The original recording reminded me of woozy days listening to my children play when they were young. The music I've added intentionally loses focus / zones out and hopefully evokes a dreamlike state." Swimming in Mooste reimagined by Adam Leonard.
C
Cities and Memory - remixing the world

It was beautiful summer day in 2013 August and I was staying at the artist residency in Mooste. I wanted to record some local sounds and went to the swimming place at the lake nearby.I asked the people who were picnicking by the lake if they thought it would be ok to record and they said yes. I sat on the pier. Recorded in Mooste, Estonia by Sirpa Jokinen.…
C
Cities and Memory - remixing the world

Waves crash onto a rocky beach in Elgol, with the close sound of water smacking against the hard rocks of the beach. One boat passes by into the harbour during the recording. Recorded on the Isle of Skye by Cities and Memory.
C
Cities and Memory - remixing the world

"I recorded and reinterpreted this sound myself. Our common bond, apart from kinship, is playing the guitar." Cemetery in Kemerovo, Russia reimagined by Pavel Lopatin.
C
Cities and Memory - remixing the world

The sound is in good weather at the cemetery, near my great-grandmother's grave. It's a bright place, despite the sadness. On the recording, you can hear birds, rustling, and a few other people, perhaps you can hear the wind. Recorded in Kemerovo, Russia by Pavel Lopatin.
C
Cities and Memory - remixing the world

"A dense re-mix for the Cities and Memory project." Waves on Elgol beach reimagined by {AN} EeL.
C
Cities and Memory - remixing the world

"The composition is made samples cut from the original field recording, with a little additions, looped and rearranged. It finishes with a nod to a Paris Jazz great." Jazz show at Le Baiser Salé, Paris reimagined by Simon Woods.
C
Cities and Memory - remixing the world

A lively jazz sextet led by Michel Zenino recorded at the tiny, intimate Paris jazz club Le Baiser Salé. Michel Zenion Zewoaï: Michel Zenino - contrebass Leo Montana - piano Christophe Monniot - alto saxophone Jeff Boudreaux - drums Manu Codija - guitar Adriano Tenorio - percussion Recorded on 14 December 2024 by Cities and Memory.…
C
Cities and Memory - remixing the world

The recording contains the ambience at "Kjærlighetsstien" at Utøya, close to Oslo, in the morning of 22nd July 2022. Utøya was the site where mass murderer Anders Behring Breivik massacered 69 young people on July 22nd, 2011, exactly 11 years earlier. At "Kjærlighetsstien" 11 youth tried to hide and play dead, but were discovered and shot by Breivik, only a single survivor. The sound of the waves, forest, birds etc. is the same while recording as it was during the shooting 11 years before, minus the cries of pain and panic and shots. Recorded by Anders Vinjar.…
C
Cities and Memory - remixing the world

Recording at Privoz market in Odessa was a mix of emotions. The market buzzed with life, as vendors sold goods and people clung to everyday routines despite the ongoing conflict. There was a sense of resilience in the air, but beneath the bustle, a quiet sadness lingered. It reflected the uncertainty of the war between Ukraine and Russia, casting a shadow over the moments of normalcy that still persisted. Privoz market, Odessa recorded by Rafael Diogo.…
C
Cities and Memory - remixing the world

"This is a lovely field recording of the everyday bustle and chatter. I used a recording of shortwave radio (Web SDR) and a clip from Hat Note (the sonification of real time changes to Wikipedia) to try and convey the global backdrop to the everyday business of the buyers and sellers at Privoz Market in Odessa." Privoz market, Odessa reimagined by Roland Pyle.…
C
Cities and Memory - remixing the world

"Ramblings and sound variations with and in the source landscape... dreamy moments... lunar thoughts..." "Kjærlighetsstien" at Utøya reimagined by Philippe Neau.
C
Cities and Memory - remixing the world

1 Sonic Heritage feature, CBC radio, 21 April 2025 5:09
5:09
Play Later
Play Later
Lists
Like
Liked5:09
A feature on CBC, Canadian national radio, broadcast on 21 April 2025 about the Sonic Heritage project. Features an interview with Cities and Memory founder Stuart Fowkes, and several field recordings from the project.
C
Cities and Memory - remixing the world

1 BBC Radio 4 Today Programme: Sonic Heritage interview, 18 April 2025 4:26
4:26
Play Later
Play Later
Lists
Like
Liked4:26
Interview with Cities and Memory founder Stuart Fowkes on BBC Radio 4's Today Programme on 18 April 2025, introducing the Sonic Heritage project. Features sound clips from the Tower of London, the Sistine Chapel and Valparaiso, Chile.
C
Cities and Memory - remixing the world

1 BBC World Service Newshour: Sonic Heritage interview, 18 April 2025 4:33
4:33
Play Later
Play Later
Lists
Like
Liked4:33
Interview with Cities and Memory founder Stuart Fowkes on BBC World Service's Newshour programme on 18 April 2025, introducing the Sonic Heritage project. Features sound clips from the Sistine Chapel, Coimbra in Portugal and Okarito in New Zealand.
C
Cities and Memory - remixing the world

"It was fascinating in the course of working on this piece to learn more about the significance of the Te Wahipounamu region to the Māori people, and to read of the world-building legends about how this part of the world came into being. "I wanted to hold this sense of the sacred close to me as I explored the sound - and what it represented - more deeply. This piece contemplates the very different meanings of the same heritage space to different people. What might be one person's stunning view or rewarding hike could be another person's sacred space, and in exploring the world we are also intruding into other people's worlds and values, and must be respectful of that. This is a composition of contemplation, repetition and respect. The title comes from the Māori translation of Te Wahipounamu - 'the place of greenstone'." Okarito soundscape reimagined by Cities and Memory. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
C
Cities and Memory - remixing the world

This is a recording of a dawn chorus after two days of hard rain at Ōkārito. Pīpipi Brown Creepers, Mātata Fernbird, Tauhou Silvereyes, and other manu birds are busy feeding and grooming in the warm sunlight. Mixing with this birdsong is the constant rumble of waves that can be heard wherever you are in town. The trail where this was recorded was dripping with rainwater and steaming as the temperature quickly rose. Residents and visitors to Ōkārito frequent this trail as it leads up to a gorgeous view of the native bush, lagoon, and beach. UNESCO listing: Te Wahipounamu Recorded by Janina Castro. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
C
Cities and Memory - remixing the world

"The overlapping sounds – the drone's gentle pulse, the lingering reverb, the admiring whispers, and the sacred music – create a dreamlike and immersive experience. It's as if the drone has become a silent witness, its sonic capture blending the everyday wonder of visitors with the profound spiritual atmosphere of a Christmas Mass. The drawn-out notes act as a unifying force, binding these disparate sounds into a cohesive and emotionally resonant whole, a sonic meditation on the Basilica's enduring beauty and its role as a place of both artistic appreciation and profound faith. The recording becomes a hauntingly beautiful reimagining, a drone's-eye (or ear) view into the soul of Sant'Antonio." Interior of Sant'Antonio, Padova reimagined by Karhide. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
C
Cities and Memory - remixing the world

At the heart of the recording is the simple, almost nostalgic sound of a small stereo playing the Kokiriko bushi melody with its slightly lo-fi quality. For this remix, the original recording has been cleaned, removing unwanted noise while preserving the inherent intimacy of the space. Layers additional music have been introduced, transforming the raw performance into a chilled-out sonic journey. Kokiriko bushi reimagined by Karhide. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
C
Cities and Memory - remixing the world

In the Basilica di Sant'Antonio in Padova, in which we can hear tourists admiring the amazing church and its incredible frescos, statues and artworks, as well as a Christmas service taking place in the centre of the church. We join the queue to view the relics of St. Anthony, which include the saint's tongue, jawbone and vocal chords. UNESCO listing: Padua’s fourteenth-century fresco cycles Recorded by Cities and Memory. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
C
Cities and Memory - remixing the world

The sound recorded is of an exibition of the Kokiriko bushi traditional dance. A man, in traditional clothes, plays a song on a little stereo and dances in front of a small audience. The setting is a traditional house made of dark timber, embers shine in the ash pit in the middle of the room. As he dances he plays the binzasara, a traditional instrument that can double as a decoration to ward off evil at home. UNESCO listing: Historic Villages of Shirakawa-go and Gokayama Recorded by Riccardo Fumagalli. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
C
Cities and Memory - remixing the world

Recording from the Novosibirsk metro, Russia. Recorded by Pavel Lopatin
C
Cities and Memory - remixing the world

Many of Albania’s voices are political, and this recording demonstrates that this remains true today. Captured in Skanderbeg Square, in the heart of Tirana, this recording showcases the soundscape of a protest organized by the opposition party, the Democratic Party of Albania. In the recording, the voice of the individual speaking into the microphone during the protest in front of Tirana City Hall reverberates off the nearby museum, opera house, and Hotel Tirana surrounding the square. The preparations for the fair and the speeches happening in the square are also included in this recording, contributing to the intricate soundscape of the area. Recorded by Uğur Aslan.…
C
Cities and Memory - remixing the world

Recorded sounds are synthesised with electronic sounds, creating new timbres and syntheses. Novosibirsk metro, Russia reimagined by Pavel Lopatin.
C
Cities and Memory - remixing the world

"Protests embody unrest, tension, and hope. They are activities that display these contrasts while effectively utilizing sound. In this interpretation, I sampled a protest recording from Tirana and approached it in four distinct ways. The first is in its original form. The second features a louder megaphone effect. The third presents a distorted, unclear, and incomprehensible sound enhanced with a phased bite effect. The fourth highlights noise alongside speech. These four interpretations simultaneously convey feelings of tension, uncertainty, and hope, complemented by pads and chord accompaniments." Tirana protest reimagined by Uğur Aslan.…
C
Cities and Memory - remixing the world

Peter and Paul Fortress Carillon (i believe it was a rehearsal). I randomly walked into the sound of the bells and made a recording directly under the cathedral on the empty night square. UNESCO listing: Historic Centre of Saint Petersburg and Related Groups of Monuments Recorded by Masha Sha. IMAGE: Alex 'Florstein' Fedorov, CC BY-SA 4.0 < https://creativecommons.org/licenses/by-sa/4.0 >, via Wikimedia Commons ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
C
Cities and Memory - remixing the world

"I was attracted to working with a recording from Thailand for personal reasons. I travelled there some years ago, and lived in a border town, where I volunteered helping a local NGO working with refugees from Burma I had never visited Ayutthaya and the temples, so this work is a chance to visit it in some way. I had visited some other Buddhist temples, and the places and the moods of those experiences are present to me. "In this field recording, I was initially attracted to the stick/brushing sounds, and I thought of working on a percussive composition using strokes. As it turned out I had less time than I would have needed to compose music, and I ended up working only with field recordings. I was also inspired by the voices in the recording. I cannot understand their meaning. I am guessing the setting is a ritual of some sort. But it might be a profane activity. I did a small amount of research, but not enough to enlighten me on this. I considered finding a translator to help. Finally, I chose to follow my intuition, and leave it open and uncertain for the time being. "The temples I visited in Thailand were open and welcoming places. The sound in this recording expresses this to me. It suggests the availability of the space to sacred and profane presences at once. I imagine this as an open setting which represents a welcoming and non-judgemental space. "The file I have submitted contains a blend of four field recordings. 1. The source recording. 2. A motorway joining the edge of the city (Luxembourg) 3. Inside the Cathedral Notre Dame in Luxembourg city 4. The Petruss valley: morning birdsong, Cathedral bells "Recording 3: The geographical distance I inhabit from the source location in Thailand, and the temporal distance from own experience of visiting Thailand, inspired me to make a connection from there to place where I live. I chose to visit a local sacred building; not a temple, but a religious edifice in my city: the Cathedral Notre Dame. I had hoped to stumble upon a similar kind of sound, perhaps an incidental event. I wanted to avoid any overly religious scenarios, as both soundwise and in meaning I didn’t feel an interest for them in this context. As it happened, I sat in the Cathedral in the morning, and the scenario unfolded just as I had hoped. Just after I was seated and began recording, I heard footsteps approaching the prayer alcove not far from me: someone had come to light a votive candle. There was no other activity in the Cathedral at the time, so this action is well audible in detail, recorded from a distance of about five metres. "Recording 2: Before making that recording, I had been standing near a highway entrance/exit, at the edge of my city. The cars were coming evenly from both directions. Sonically rich, and apt in meaning, representing a journey in both directions, and journey makers from both orientations crossing paths, and this repeating over and over. "Recording 4: On the way to the Cathedral for recording 2, I passed through the stunning valley of the Petruss in the city centre. The birdsong in this natural setting seemed the perfect contrast to the highway I had recorded previously. The juxtaposition of these recordings isn’t a sharp contrast. Both are made outdoors, and have tons of natural background ambiance. To my ear the cars and the birds are one vibration resonating in the sky, and the recordings sit with each other nicely. "These four recordings are blended together to make the following propositions: "There is a connection between distant places with shared practices (ritual), and common principles in the use of space (temple/church as place of welcome). "As a metaphor for openness and welcome of both sacred and profane modes of being in a single space, contrasting settings are juxtaposed (cars on a motorway, birds in a wooded valley). The journey between one place and another may go in both directions (cars moving in opposite directions). All the above are held in a totality, represented by nature (valley and resonance of sound, birdsong). "The single continuous recording throughout the piece is a single take inside a cathedral. It is the last track to fade out at the end. The space in this sound is the space of the observer, holding together the connections suggested in the piece. "The only audio processing used was a EQ low cut filters on the outdoor recordings. The mixing of the levels for the various fades in and out of the tracks was done with volume automation control in Logic Pro." Temple sticks at Ayutthaya reimagined by Alan Kavanagh. IMAGE: H191, CC BY-SA 4.0 < https://creativecommons.org/licenses/by-sa/4.0 >, via Wikimedia Commons ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
C
Cities and Memory - remixing the world

"What struck me about this recording was the joyful melancholy of the brass band, a bittersweet, steady march. The constant pulse of life. A warm embrace, a salve for wayward souls. The chug of an old train on a long journey. The rhythms that govern our lives, that bring a sense of constancy, but are also relentless and uncompromising. These universally human rhythms but also all biological rhythm and pre biological rhythm. When life feels difficult I often think about the pulses that stretch back to deep time. The emergence of the major transitions in evolution, the very first clockwork of metabolism in some deep sea vent (can you tell I've been reading about the origins of life lately?), or of genetic replication, multicellular organisms, language, and ultimately culture. "I loved the quality of the brass instruments and sampled these heavily. Many of them I sampled with a long release and set to looping to create non synced delay effects to give it a shifting and organic feel but with a strong backbone pulse. In contrast to the original, everything is submerged as if it were in a deep sea vent. I added a few synthetic sounds on top to complement the rougher sampled sounds. For the arrangement, I wanted to contrast sparse and dense moments and try to give most sounds a chance to breathe as well as to go away for a while and come back to establish a theme. I also varied the main pulsing sounds and played with putting each more in the foreground or background." Religious procession in Lima reimagined by Stanislav Nikolov. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
C
Cities and Memory - remixing the world

"This piece was inspired by a story my father told me about when he was a student in Istanbul. One night as my father was walking through the grounds of the mosque, from out of the darkness he heard the delicate strains of a musician, the reverberations of their instrument bouncing off the pillars of the courtyard, a sound echoing and decaying like watercolour paints. For my father, it was one of the most profound experiences of his life, a purity of sound so beautiful, it brought him to tears. "Author Dr. Defne Çizakça gave me her oud when she moved back to Türkiye, and it had been languishing in a corner of my music room for a little too long. After hearing the field recording from Ayasofya, I set myself to the task of channeling the reverie of the nighttime musician my father had told me about and the oud seemed the perfect instrument to use for this track. A homage to the overlaying of place and memory, and the peacefulness and awe which the Ayasofya bestows upon us." Oud, violin and composition by Ceylan Hay. Recorded, mixed and mastered by Robyn Dawson in Edinburgh, Scotland. Hagia Sophia reimagined by Bell Lungs. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
C
Cities and Memory - remixing the world

Svetitskhoveli Cathedral is an Orthodox Christian cathedral located in Georgia's oldest city and former capital, Mtskheta. As I passed through the main entrance and walked through the internal grounds, bell ringers began ringing the bells from high up in one of the towers. UNESCO listing: Historical Monuments of Mtskheta Recorded by Colin Hunter. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage…
Welcome to Player FM!
Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.