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The Fontana delle Tette
Manage episode 456280803 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
The tourist attraction of a fountain in central Treviso. Under the Venetian Republic it poured white and red wine during special celebrations. The name translates into English as "The Fountain of Tits" and is usually translated in Italian as "Fontana delle tette". It features a topless woman squeezing her breasts and water (representing breast milk) coming out of her nipples.
Recorded by Cities and Memory.
Recorded by Cities and Memory.
688 episodes
Manage episode 456280803 series 1127440
Content provided by Cities and Memory - remixing the world and Cities and Memory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cities and Memory - remixing the world and Cities and Memory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
The tourist attraction of a fountain in central Treviso. Under the Venetian Republic it poured white and red wine during special celebrations. The name translates into English as "The Fountain of Tits" and is usually translated in Italian as "Fontana delle tette". It features a topless woman squeezing her breasts and water (representing breast milk) coming out of her nipples.
Recorded by Cities and Memory.
Recorded by Cities and Memory.
688 episodes
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×"With a nod to the arpeggiated, headspace-clearing epic E2-E4 by Manuel Göttsching, this piece represents how a journey in a lift can be an opportunity to gather your thoughts, to collect yourself and to return your mind to clarity in that space between two floors. The journey in a lift can be just long enough to reset yourself, and this piece is a sonic tribute to all those little, head-clearing trips we've taken up and down tall buildings. Four different layers of synthesiser from the ASM Hydrasynth play off one another, until the final dreamlike synth waves see us emerge blinking from the lift into the hustle and bustle of a busy cocktail bar, but with a serene mind." Barbican Centre lifts reimagined by Cities and Memory.…
In March 2025 we made a series of recordings in and around the Barbican Centre, with the idea of those sounds being folded back into the Observatory Station sound installation, so that the sounds of the Barbican itself become part of the stories being told by sound from around the world. In this recording, we ride the lifts inside the Barbican Centre, taking a close listen to the announcements, closing and opening doors and lift mechanisms inside this brutalist wonder. At the end of the recording we emerge into a very busy cocktail bar, to the sounds of early evening merriment. Recorded by Cities and Memory.…

1 That night, when the blacksmiths painted the sky 7:25
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This composition reimagines the call of the blacksmith tree frog as illuminating the night sky in an ecological park in Brazil, as if the night were otherwise silent, and the frogs were painting the sky like a canvas with their calls. Four channels of heavily-effected, sparkling frog calls interplay with one another, as the "real" frog calls periodically fade up and down, adding a dreamlike rhythmic pulse into the piece. The piece was composed entirely on a Torso S-4 sampler, and every sound is derived from the original source recording. Blacksmith tree frogs in Brazil reimagined by Cities and Memory.…

1 Blacksmith tree frogs at the source of a river 0:53
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Vocalization of Blacksmith tree frog near a river source in the early morning of a full moon, in Votorantim, Brazil. Recorded by Angélica Felício da Costa.
"The bells of the reindeer are used throughout the piece, blended with the chimes and drum to create a dark paganesque soundscape. The words were a collaboration with Bianca Chudley le Corre. "It is a meditation on the lives of the reindeer herder, the rituals as autumn passes to winter, the knowledge of routes & tradition passed down through the generations. What started as a Breton inspired acoustic folk tune soon developed into this brooding songscape." Reindeer bells in Mongolia reimagined by Daniel Chudley - Le Corre.…
"When I first heard the ticking of the traffic light in the field recording, I instantly recognized its potential and shared it with my bandmates, Sandeep and Darren. We decided to use it as the rhythm section's backbeat and composed guitar and bass parts around it. "It's amazing how this traffic light in Greece uses various sounds to guide pedestrians, including a female voice instructing them to wait or cross safely. "Inspired by the idea of representing 'change' musically, we composed a dynamic track with four distinct sections, transitioning between them in both smooth and abrupt ways. The track evolves gradually, beginning with a field recording and muted arpeggiated synth before building into a full band with acoustic guitar, bass, and drums. It transitions to a quiet bridge that draws the listener in, followed by an intense section with wailing electric guitars, sawtooth synth leads, distorted bass, louder drums, and a fast-ticking rhythm from the field recording, amplifying the chaos. This climactic section fades into a serene piano piece by Samantha, mirrored by Sandeep on guitar and accompanied by Darren, playing chords on his bass guitar. "With each listen, the song reveals a new story of our friendship — born over a decade ago, tested by ups and downs, but ultimately strengthened into a lasting bond. This project brought us back to the studio after a long break, creating music and memories alike." Athens traffic light reimagined by Matsya.…
In west-north Khinga mountains, there is a very special community called Chinese Evenki. Their language is disappearing with the traditional migration life. And it's happening in the last 30 years. They used to live with reindeers in the deep mountains. And they were hunters. But when I was there, only around 20 people in the mountain who take care of the reindeers. YES, they look after them NOT live with them. What those reindeers can help is antler velvet and photos with tourists in summer. Only few of younger Evenki would like go to the mountain with older generations, but more for taking care of the elders. Most of younger Evenki even can not speak their language. So I took few days to keep the reindeer bells echo in the mountains. Recorded by Digimonk.…
The Athenian traffic light that talks outside of Kallimarmaro stadium. Supposed to replace the old ones for accessibility purposes. Instead, there are a few of them throughout the municipality of Athens, only nearby tourist destinations. Recorded by Agapi Zarda.
Eucharist service at the iconic, historic St. Paul's Cathedral in London, one of the most famous sacred spaces in the United Kingdom. The service is free to attend for worshippers, but the cathedral is also full of paying tourists looking around the cathedral, so the experience is one of a concentration of religious service right at the centre of this sacred space, surrounded by commerce and tourism on all sides. The sound is - obviously - drenched in reverb as it is piped out from speakers either side of us into the cavernous space beneath the famous dome designed by Christopher Wren. Recorded by Cities and Memory.…
This is a fresh (vegetables and fruit) and prepared food market in the middle of Chiang Mai, Thailand. People are preparing food and keeping things tidy! This market is one in a cluster of markets in the Than-in areas selling different kinds of products. Recorded by Alex Boyesen.
An imagined journey in the direction of and directed by the sound of the sea. Waves in Sooke, Canada reimagined by Alex Vald.
"My sound (Eucharist at St Pauls) was randomly assigned. I don't personally have a religious faith, but the sound got me curious about how believers might experience communication with 'God'. When I received this assignment I'd just made a foxhole radio and had the magic of transmitting/receiving messages very much in mind- and how they can be affected, mangled and interpreted (or misinterpreted) over time and space. "There's a lot I wanted to do/play with- certainly around re-recording my interview tape and the original recording in other reverberant spaces and via natural filters, and also using physical distance and manual ways of distorting the sound, but despite the ample time granted for this project, life got in the way a bit...so it is what it is.. I enjoyed the thought process and I never would have addressed this subject matter without the provocation of this assignment, so thank you." St. Paul's Cathedral Eucharist reimagined by Eleventeen.…
A soundscape from Russalka beach, Tallinn, as jackdaws angry at us walking through their low tide feeding area circle above us angrily. We then listen to waves gently breaking and head back up the beach to the main road, as the sounds of nature give way to those of vehicle noise and pollution. Recorded by Cities and Memory.…
"The original sample described a journey: beginning alone with angry crows on Russalka beach, we walk across sand to rejoin civilisation. I used it as a sound bed and added strings and voices recorded at the nearby St. Nicholas Church." Russalka Beach, Tallinn reimagined by Gavin Inglis.
The Chapel of St John the Evangelist (St John's Chapel) is an 11th century Christian chapel of Norman architecture, in the White Tower of the Tower of London. Built in 1080, St John's is the oldest surviving complete chapel from the early Norman period, and functions today as a chapel royal. This recording features footsteps inside the ancient space, and the piped recording of angelic choir singing. Recorded by Cities and Memory.…
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