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Political Poems: 'Strange Meeting' by Wilfred Owen

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Manage episode 426022219 series 3476717
Content provided by Anthony Wilks and London Review of Books. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Anthony Wilks and London Review of Books or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Wilfred Owen wrote ‘Strange Meeting’ in the early months of 1918, shortly after being treated for shell shock at Craiglockhart hospital in Edinburgh, where he had met the stridently anti-war Siegfried Sassoon. Sassoon's poetry of caustic realism quickly found its way into Owen’s work, where it merged with the high romantic sublime of his other great influences, Keats and Shelley. Mark and Seamus discuss the unstable mixture of these forces and the innovative use of rhyme in a poem where the politics is less about ideology or argument than an intuitive response to the horror of war.

Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.

Sign up to the Close Readings subscription to listen ad free and to all our series in full:

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Further reading in the LRB:

Seamus Heaney on Auden (and Wilfred Owen): https://lrb.me/pp6heaney



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100 episodes

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Manage episode 426022219 series 3476717
Content provided by Anthony Wilks and London Review of Books. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Anthony Wilks and London Review of Books or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Wilfred Owen wrote ‘Strange Meeting’ in the early months of 1918, shortly after being treated for shell shock at Craiglockhart hospital in Edinburgh, where he had met the stridently anti-war Siegfried Sassoon. Sassoon's poetry of caustic realism quickly found its way into Owen’s work, where it merged with the high romantic sublime of his other great influences, Keats and Shelley. Mark and Seamus discuss the unstable mixture of these forces and the innovative use of rhyme in a poem where the politics is less about ideology or argument than an intuitive response to the horror of war.

Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.

Sign up to the Close Readings subscription to listen ad free and to all our series in full:

Directly in Apple Podcasts: https://lrb.me/ppapplesignup

In other podcast apps: https://lrb.me/ppsignup

Further reading in the LRB:

Seamus Heaney on Auden (and Wilfred Owen): https://lrb.me/pp6heaney



Hosted on Acast. See acast.com/privacy for more information.

  continue reading

100 episodes

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