In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 72 - Wristcutters: A Love Story
Manage episode 354781101 series 3191010
Content provided by CF. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by CF or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In this episode, Andy and Stephanie discuss portals under passenger seats as they review Goran Dukić's WRISTCUTTERS: A LOVE STORY. Andy has ennui and Stephanie starts a cult turf war. Obviously, a good part of the episode is spent mooning over Tom Waits. PLUS: The return of Stephanie’s dream interpretations, brought to you by Carls Jr.!
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Manage episode 354781101 series 3191010
Content provided by CF. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by CF or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In this episode, Andy and Stephanie discuss portals under passenger seats as they review Goran Dukić's WRISTCUTTERS: A LOVE STORY. Andy has ennui and Stephanie starts a cult turf war. Obviously, a good part of the episode is spent mooning over Tom Waits. PLUS: The return of Stephanie’s dream interpretations, brought to you by Carls Jr.!
Reading Recommendations: Etgar Karat's "Kneller's Happy Campers"
86 episodes
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Similar to Cult Fiction
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
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continue reading
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Determining if all these so called classic films are indeed just that.
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