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Content provided by Bethany A. Tucker & Mariëlle S. Smith, Bethany A. Tucker, and Mariëlle S. Smith. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bethany A. Tucker & Mariëlle S. Smith, Bethany A. Tucker, and Mariëlle S. Smith or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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DDW - S3 Ep 02 - Writing Women We Want to Read

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Manage episode 330274273 series 2988413
Content provided by Bethany A. Tucker & Mariëlle S. Smith, Bethany A. Tucker, and Mariëlle S. Smith. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bethany A. Tucker & Mariëlle S. Smith, Bethany A. Tucker, and Mariëlle S. Smith or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode of Doing Diversity in Writing, we—Bethany and Mariëlle—talk about writing better female characters. This is the first part of a two-part episode on the topic.

Here’s what we talked about:

  • That, in the US, women are estimated to buy 70–80% of fiction books
  • There are way more male than female leads in children’s books
  • That novels, on average and across the board, only have one female character to four male characters
  • But that many readers FEEL like there are way more female protagonists these days than there are male protagonists
  • That women writers also have a tendency to write male characters, and that women are not exempt from perpetuating problematic female representations
  • What kind of roles women tend to have in fiction
  • A selection of tropes to avoid or seriously consider when writing female characters
  • Some of the most persistent narrative structures that disempower and/or harm women
  • Why it is important to write female characters better, even if books with badly written women are selling well

And here are the (re)sources we mentioned on the show:

This week’s episode page can be found here: https://representationmatters.art/2022/05/31/s3e2

Subscribe to our newsletter here and get out Doing Diversity in Writing Toolkit, including our Calm the F*ck Down Checklist and Cultural Appropriation Checklist: https://landing.mailerlite.com/webforms/landing/r3p6g8

As always, we’d love for you to join the conversation by filling out our questionnaires.

Our Doing Diversity in Writing – Writer Questionnaire can be filled in at https://forms.gle/UUEbeEvxsdwk1kuy5

Our Doing Diversity in Writing – Reader Questionnaire can be filled in at https://forms.gle/gTAg4qrvaCPtqVJ36

Website: https://representationmatters.art

Facebook: https://www.facebook.com/doingdiversityinwriting

YouTube: https://www.youtube.com/channel/UCtHfIaeylIgbAWVy3E66lmw

  continue reading

31 episodes

Artwork
iconShare
 
Manage episode 330274273 series 2988413
Content provided by Bethany A. Tucker & Mariëlle S. Smith, Bethany A. Tucker, and Mariëlle S. Smith. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bethany A. Tucker & Mariëlle S. Smith, Bethany A. Tucker, and Mariëlle S. Smith or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode of Doing Diversity in Writing, we—Bethany and Mariëlle—talk about writing better female characters. This is the first part of a two-part episode on the topic.

Here’s what we talked about:

  • That, in the US, women are estimated to buy 70–80% of fiction books
  • There are way more male than female leads in children’s books
  • That novels, on average and across the board, only have one female character to four male characters
  • But that many readers FEEL like there are way more female protagonists these days than there are male protagonists
  • That women writers also have a tendency to write male characters, and that women are not exempt from perpetuating problematic female representations
  • What kind of roles women tend to have in fiction
  • A selection of tropes to avoid or seriously consider when writing female characters
  • Some of the most persistent narrative structures that disempower and/or harm women
  • Why it is important to write female characters better, even if books with badly written women are selling well

And here are the (re)sources we mentioned on the show:

This week’s episode page can be found here: https://representationmatters.art/2022/05/31/s3e2

Subscribe to our newsletter here and get out Doing Diversity in Writing Toolkit, including our Calm the F*ck Down Checklist and Cultural Appropriation Checklist: https://landing.mailerlite.com/webforms/landing/r3p6g8

As always, we’d love for you to join the conversation by filling out our questionnaires.

Our Doing Diversity in Writing – Writer Questionnaire can be filled in at https://forms.gle/UUEbeEvxsdwk1kuy5

Our Doing Diversity in Writing – Reader Questionnaire can be filled in at https://forms.gle/gTAg4qrvaCPtqVJ36

Website: https://representationmatters.art

Facebook: https://www.facebook.com/doingdiversityinwriting

YouTube: https://www.youtube.com/channel/UCtHfIaeylIgbAWVy3E66lmw

  continue reading

31 episodes

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