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Manage episode 405260639 series 3556454
Content provided by Ealan Osborne & Brad Pipkins, Ealan Osborne, and Brad Pipkins. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ealan Osborne & Brad Pipkins, Ealan Osborne, and Brad Pipkins or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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Manage episode 405260639 series 3556454
Content provided by Ealan Osborne & Brad Pipkins, Ealan Osborne, and Brad Pipkins. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ealan Osborne & Brad Pipkins, Ealan Osborne, and Brad Pipkins or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
With Dune 2 having a great opening weekend at the box office, are theaters making a comeback? Or is still going to be reserved for tent pole films with large budgets? Is there no room for indie films anymore, saving their money on a limited theatrical release and going straight to streaming platforms? We discuss this, and answer your home theater questions in another incredible episode of the Eyes & Ears Podcast! Yay!
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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