In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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ParaNorman (2012) (with Stacey Abbott)
Manage episode 380557376 series 2426554
Content provided by Fantasy/Animation. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Fantasy/Animation or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
As Halloween rolls around once more, things take a positively spooky turn as Chris and Alex discuss the stop-motion animated horror film ParaNorman (Sam Fell & Chris Butler, 2012) with very special guest Professor Stacey Abbott, who is incoming Professor of Film at Northumbria University and an expert in histories of gothic and horror in film and television. Topics for this discussion include the role of horror cinema in processing trauma, including the special case of children’s horror that is both with and for children; horror as a series of embodiments and the broader question of body genres; links between ParaNorman and Frankenweenie (Tim Burton, 2012) in the creation of juvenile outsiderdom; the troublesom entanglement of digital effects with stop-motion aesthetics; why horror might work best when connected to the materiality of object animation; and how ParaNorman is a film that reflexively recognises the many pleasures of horror for children.
**Fantasy/Animation theme tune composed by Francisca Araujo**
**As featured on Feedspot’s 25 Best London Education Podcasts**
200 episodes
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Manage episode 380557376 series 2426554
Content provided by Fantasy/Animation. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Fantasy/Animation or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
As Halloween rolls around once more, things take a positively spooky turn as Chris and Alex discuss the stop-motion animated horror film ParaNorman (Sam Fell & Chris Butler, 2012) with very special guest Professor Stacey Abbott, who is incoming Professor of Film at Northumbria University and an expert in histories of gothic and horror in film and television. Topics for this discussion include the role of horror cinema in processing trauma, including the special case of children’s horror that is both with and for children; horror as a series of embodiments and the broader question of body genres; links between ParaNorman and Frankenweenie (Tim Burton, 2012) in the creation of juvenile outsiderdom; the troublesom entanglement of digital effects with stop-motion aesthetics; why horror might work best when connected to the materiality of object animation; and how ParaNorman is a film that reflexively recognises the many pleasures of horror for children.
**Fantasy/Animation theme tune composed by Francisca Araujo**
**As featured on Feedspot’s 25 Best London Education Podcasts**
200 episodes
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Similar to Fantasy/Animation
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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