In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Fantastic Four: Rise Of The Silver Surfer (2007) and Jaws 3-D (1983)
Manage episode 334659389 series 2788012
Content provided by Simon Brew. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Simon Brew or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In this episode of Film Stories with Simon Brew, a pair of sequels that both did well at the box office, but faced other problems.
Fantastic Four: Rise Of The Silver Surfer should have been fan gold, and was planned to set up a couple more movies. But the Fantastic Four sequel found itself looking a little out of time - and even promoting it, the cracks were showing.
Jaws 3-D meanwhile nearly ended up a very different film: an official Jaws comedy movie called Jaws 3 People 0. When the decision was made to go 3-D instead? Well, again, let's just say there were problems.
Stories of both are told in this episode.
Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod.
Support this podcast: www.patreon.com/simonbrew.
Hosted on Acast. See acast.com/privacy for more information.
Learn more about your ad choices. Visit megaphone.fm/adchoices
303 episodes
Share
Manage episode 334659389 series 2788012
Content provided by Simon Brew. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Simon Brew or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In this episode of Film Stories with Simon Brew, a pair of sequels that both did well at the box office, but faced other problems.
Fantastic Four: Rise Of The Silver Surfer should have been fan gold, and was planned to set up a couple more movies. But the Fantastic Four sequel found itself looking a little out of time - and even promoting it, the cracks were showing.
Jaws 3-D meanwhile nearly ended up a very different film: an official Jaws comedy movie called Jaws 3 People 0. When the decision was made to go 3-D instead? Well, again, let's just say there were problems.
Stories of both are told in this episode.
Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod.
Support this podcast: www.patreon.com/simonbrew.
Hosted on Acast. See acast.com/privacy for more information.
Learn more about your ad choices. Visit megaphone.fm/adchoices
303 episodes
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Similar to Film Stories with Simon Brew
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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continue reading
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continue reading
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…
continue reading
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…
continue reading
Our fifth season is Decoding John Ford, a seven-episode series about cinema's most mysterious auteur. Using scores of never-before-heard archival interviews, host Ben Mankiewicz strips back John Ford's self-spun mythology to reveal his brilliance behind the camera – alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist. Decoding John Ford starts June 6.
…
continue reading
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…
continue reading
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