In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Die Another Day (2002) and The Quick And The Dead (1995)
Manage episode 270251266 series 2348542
Content provided by Simon Brew. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Simon Brew or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In the new episode of Film Stories with Simon Brew, how the 20th James Bond film pushed things a little too far, and a western with British origins.
Die Another Day was the first 007 movie to heavily lean on CG, and one big sequence hadn't even been conceived when filming began.
Sharon Stone had movie star clout when The Quick And The Dead got greenlit - and she used it to secure Sam Raimi as director, and at least two of her co-stars.
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Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod.
Support our work at www.patreon.com/simonbrew.
Hosted on Acast. See acast.com/privacy for more information.
Learn more about your ad choices. Visit megaphone.fm/adchoices
403 episodes
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Manage episode 270251266 series 2348542
Content provided by Simon Brew. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Simon Brew or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In the new episode of Film Stories with Simon Brew, how the 20th James Bond film pushed things a little too far, and a western with British origins.
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Sharon Stone had movie star clout when The Quick And The Dead got greenlit - and she used it to secure Sam Raimi as director, and at least two of her co-stars.
Stories of both are told in this episode.
Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod.
Support our work at www.patreon.com/simonbrew.
Hosted on Acast. See acast.com/privacy for more information.
Learn more about your ad choices. Visit megaphone.fm/adchoices
403 episodes
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Similar to Film Stories with Simon Brew
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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…
continue reading
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continue reading
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continue reading
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continue reading
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