Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Jason Graves | Composer: The Devil In Me
Manage episode 349244865 series 2361111
Content provided by Film.Music.Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film.Music.Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Composer Jason Graves has paved an incredible career path over the years, with a strong focus on scoring games. We take a walk down memory lane as Jason talks about his early years being mentored by composers like Elmer Bernstein, the ins and outs of scoring games, how working on Until Dawn with Supermassive Games led to The Dark Pictures Anthology, and how he approached the latest installment The Devil In Me.
We also talk about scoring video game tie-ins to movies like Flushed Away and King Arthur, and how he always tries to get the composer of the film's blessing and insight before doing a game like that. Jason also talks about how it feels that the Dead Space remake is upon us, and how touched he is that they decided to re-use his original score in the remake.
Lots of amazing insight and great stories from one of the most prominent composers in gaming!
A Film.Music.Media Interview | Produced & Presented by Kaya Savas
377 episodes
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Manage episode 349244865 series 2361111
Content provided by Film.Music.Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film.Music.Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Composer Jason Graves has paved an incredible career path over the years, with a strong focus on scoring games. We take a walk down memory lane as Jason talks about his early years being mentored by composers like Elmer Bernstein, the ins and outs of scoring games, how working on Until Dawn with Supermassive Games led to The Dark Pictures Anthology, and how he approached the latest installment The Devil In Me.
We also talk about scoring video game tie-ins to movies like Flushed Away and King Arthur, and how he always tries to get the composer of the film's blessing and insight before doing a game like that. Jason also talks about how it feels that the Dead Space remake is upon us, and how touched he is that they decided to re-use his original score in the remake.
Lots of amazing insight and great stories from one of the most prominent composers in gaming!
A Film.Music.Media Interview | Produced & Presented by Kaya Savas
377 episodes
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Similar to Film.Music.Media
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
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…
continue reading
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continue reading
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…
continue reading
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…
continue reading
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