In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Elvis and the Hysteria of Baz Luhrmann
Manage episode 334150561 series 2858749
Content provided by Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
You may know writer-director-producer Baz Luhrmann from such expensive spectacles as The Great Gatsby, Australia, and Moulin Rouge! Co-hosts Dolores and Eileen talk about Luhrmann's hysterically melodramatic films and disagree sharply on how successfully his new biopic Elvis represents the life and career of legendary performer Elvis Presley, debating in particular how the film stands on the entrenched "Elvis authenticity thesis." (Short version of theory: young "real" pioneering rocker Elvis = good, and older "fake" Las Vegas Elvis = bad.)
51 episodes
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Manage episode 334150561 series 2858749
Content provided by Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
You may know writer-director-producer Baz Luhrmann from such expensive spectacles as The Great Gatsby, Australia, and Moulin Rouge! Co-hosts Dolores and Eileen talk about Luhrmann's hysterically melodramatic films and disagree sharply on how successfully his new biopic Elvis represents the life and career of legendary performer Elvis Presley, debating in particular how the film stands on the entrenched "Elvis authenticity thesis." (Short version of theory: young "real" pioneering rocker Elvis = good, and older "fake" Las Vegas Elvis = bad.)
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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