In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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FCPRadio 035 Marty Jenoff TV Editor Photographer
Manage episode 173996313 series 120411
Content provided by Richard Taylor. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Richard Taylor or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Final Cut Pro Radio 035
In this episode we talk wth Marty Jenoff. Marty is both an editor and photographer at a Baltimore TV station. He uses both FCP and Premiere for his jobs. We talk about what he does at the TV station and why he prefers Final Cut Pro X, a few FCPX tips, his workflow as well as a bit about expensive coffee, helicopters and Premiere.
Twitter @fcpradio1 www.FCPRadio.com Facebook www.facebook.com/groups/FinalCutProRadio/
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Manage episode 173996313 series 120411
Content provided by Richard Taylor. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Richard Taylor or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Final Cut Pro Radio 035
In this episode we talk wth Marty Jenoff. Marty is both an editor and photographer at a Baltimore TV station. He uses both FCP and Premiere for his jobs. We talk about what he does at the TV station and why he prefers Final Cut Pro X, a few FCPX tips, his workflow as well as a bit about expensive coffee, helicopters and Premiere.
Twitter @fcpradio1 www.FCPRadio.com Facebook www.facebook.com/groups/FinalCutProRadio/
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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