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112: "Andor" & "The Crown" DP Adriano Goldman

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Content provided by Frame and Reference Podcast and Reference Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Frame and Reference Podcast and Reference Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Join us for an enlightening conversation with the extraordinary Adriano Goldman, Director of Photography for Andor and The Crown. Adriano's distinctive insights illuminate the intricate details of digital IMAX capture, the profound depth of field in the format, and the singular challenge he faced while filming a commercial in the exotic Maldives Islands. We share an honest exchange on the unnerving uncertainties sparked by the sudden halt in production due to strikes, the necessity of investing in constructive downtime, and the undisclosed aspects of these strikes.

In this lively discussion, we address the complicated realities and widespread misconceptions of the film industry. Adriano and I take a deep dive into the trials of articulating the crucial yet misunderstood role of cinematographers to those unfamiliar with the industry, the deceptive glamorization of film work, and the deep-seated respect earned by cinematographers despite such misconceptions. We also explore the blurred lines between production design and cinematography, and the cinematic influence of the 'Bourne Trilogy' on public perception.

For all Star Wars aficionados out there, our conversation leads us to a meticulous examination of the subtle differences between shooting for Andor and The Crown. Adriano offers an insider's glimpse of the commendable effort to maintain the authenticity of the Star Wars universe and realities of the various eras depicted in The Crown, the collaborative dynamic between the cinematographer and production designer, and the painstaking endeavours to realistically portray the sets. Our chat covers a lot more ground, exploring the contrasting color palettes of the two series, and the strategies employed to create relatable sets. Tune in to our engaging banter as we cast light on the gritty reality and the artistic nuances of cinematography.

⁠⁠⁠⁠⁠⁠Follow F&R on all your favorite social platforms!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

You can directly support Frame & Reference by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buying Me a Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Frame & Reference is supported by Filmtools and ProVideo Coalition. Filmtools is the West Coast's leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs. Check out ⁠⁠Filmtools.com⁠⁠ for more.

ProVideo Coalition is a top news and reviews site focusing on all things production and post. Check out ⁠⁠ProVideoCoalition.com⁠⁠ for the latest news coming out of the industry.

  continue reading

147 episodes

Artwork
iconShare
 
Manage episode 377626744 series 3272560
Content provided by Frame and Reference Podcast and Reference Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Frame and Reference Podcast and Reference Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Join us for an enlightening conversation with the extraordinary Adriano Goldman, Director of Photography for Andor and The Crown. Adriano's distinctive insights illuminate the intricate details of digital IMAX capture, the profound depth of field in the format, and the singular challenge he faced while filming a commercial in the exotic Maldives Islands. We share an honest exchange on the unnerving uncertainties sparked by the sudden halt in production due to strikes, the necessity of investing in constructive downtime, and the undisclosed aspects of these strikes.

In this lively discussion, we address the complicated realities and widespread misconceptions of the film industry. Adriano and I take a deep dive into the trials of articulating the crucial yet misunderstood role of cinematographers to those unfamiliar with the industry, the deceptive glamorization of film work, and the deep-seated respect earned by cinematographers despite such misconceptions. We also explore the blurred lines between production design and cinematography, and the cinematic influence of the 'Bourne Trilogy' on public perception.

For all Star Wars aficionados out there, our conversation leads us to a meticulous examination of the subtle differences between shooting for Andor and The Crown. Adriano offers an insider's glimpse of the commendable effort to maintain the authenticity of the Star Wars universe and realities of the various eras depicted in The Crown, the collaborative dynamic between the cinematographer and production designer, and the painstaking endeavours to realistically portray the sets. Our chat covers a lot more ground, exploring the contrasting color palettes of the two series, and the strategies employed to create relatable sets. Tune in to our engaging banter as we cast light on the gritty reality and the artistic nuances of cinematography.

⁠⁠⁠⁠⁠⁠Follow F&R on all your favorite social platforms!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

You can directly support Frame & Reference by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buying Me a Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Frame & Reference is supported by Filmtools and ProVideo Coalition. Filmtools is the West Coast's leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs. Check out ⁠⁠Filmtools.com⁠⁠ for more.

ProVideo Coalition is a top news and reviews site focusing on all things production and post. Check out ⁠⁠ProVideoCoalition.com⁠⁠ for the latest news coming out of the industry.

  continue reading

147 episodes

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