In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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125: "The Holdovers" DP Eigil Bryld
Manage episode 396041805 series 3272560
Content provided by Frame and Reference Podcast and Reference Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Frame and Reference Podcast and Reference Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week on Frame & Reference we're joined by returning friend of the pod Eigil Bryld to talk about his work on one of my favorite films of the year, The Holdovers!
On his last episode, Ep.102, he was here to chat about his work on Extrapolations, but you may have seen his previous work like House of Cards, Oceans 8, No Hard Feelings, The Machine, The Report, and The Wizard of Lies.
Enjoy!
Visit www.frameandrefpod.com for everything F&R
You can directly support Frame & Reference by Buying Me a Coffee
Frame & Reference is supported by Filmtools and ProVideo Coalition.
Filmtools is the West Coast's leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs. Check out Filmtools.com for more.
ProVideo Coalition is a top news and reviews site focusing on all things production and post. Check out ProVideoCoalition.com for the latest news coming out of the industry.
145 episodes
Share
Manage episode 396041805 series 3272560
Content provided by Frame and Reference Podcast and Reference Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Frame and Reference Podcast and Reference Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week on Frame & Reference we're joined by returning friend of the pod Eigil Bryld to talk about his work on one of my favorite films of the year, The Holdovers!
On his last episode, Ep.102, he was here to chat about his work on Extrapolations, but you may have seen his previous work like House of Cards, Oceans 8, No Hard Feelings, The Machine, The Report, and The Wizard of Lies.
Enjoy!
Visit www.frameandrefpod.com for everything F&R
You can directly support Frame & Reference by Buying Me a Coffee
Frame & Reference is supported by Filmtools and ProVideo Coalition.
Filmtools is the West Coast's leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs. Check out Filmtools.com for more.
ProVideo Coalition is a top news and reviews site focusing on all things production and post. Check out ProVideoCoalition.com for the latest news coming out of the industry.
145 episodes
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Similar to Frame & Reference Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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…
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