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S1, Ep. 6: Should I or Shouldn't I Invest Time & Funds in Applying for Opportunities?
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You see them packed into artist bios: residencies, grants, fellowships, awards, etc. What are they? What’s the difference? Are some better than others? A residency may grant you time to live rent-free to work on your art, but can you just up and leave your life like that? A grant can give you funds to complete a project, but how long does that last? An award can add attention to your work, but what do you do with that momentum? There are pros and cons to some blessings, after all. We will have two guests to offer their experiences in receiving these accolades but also provide context and nuance to each type and what their art gained from them.
Julia Barbosa Landois (b. San Antonio, USA) is a performance, installation, and video artist based in Houston, TX. Her work has been featured in galleries, museums and performance festivals in the United States, Latin America, and Europe. Awards include grants from Artpace and the Artist Foundation of San Antonio, and residencies at the Santa Fe Art Institute (USA), Lademoen Kunstnerverksteder (Norway), and Künstlerhaus Bethanien (Germany). She was a 2018-2019 Studio Resident at the Lawndale Art Center and received a grant from the National Association of Latino Arts & Cultures in 2019 to co-create MantecaHTX. Barbosa Landois has worked as a studio artist, itinerant professor, preparator, exhibitions coordinator, grant writer, garden educator, and math tutor.
Sarah Rafael García is a local writer, community educator, and performance ethnographer. She’s the author of Las Niñas and SanTanas Fairy Tales, co-editor of pariahs writing from outside the margins and the sci-fi anthology Speculative Fiction for Dreamers as well as founder of Barrio Writers and LibroMobile. Currently, she splits her time between shipping books out to loyal readers across the nation and developing an archival ethnofiction project for the life of Modesta Avila as a 2020 USLDH Mellon-Funded Grantee.
Music: "Ike is Gone" by Nick Gaitan
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