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Ep 62: Night at Candyman's House
Manage episode 300998517 series 1744828
Content provided by Tim Murdock & Matt Emert, Tim Murdock, and Matt Emert. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Tim Murdock & Matt Emert, Tim Murdock, and Matt Emert or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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Manage episode 300998517 series 1744828
Content provided by Tim Murdock & Matt Emert, Tim Murdock, and Matt Emert. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Tim Murdock & Matt Emert, Tim Murdock, and Matt Emert or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week we did something crazy — we got off our couches and went to see two new theatrical horror releases! Psychological thriller, “The Night House,” is literally all about “Nothing,” while the “Candyman” sequel/reboot had us avoiding mirrors, bees, and even the song “Say My Name” by Destiny’s Child.
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Similar to Happy Horror Time
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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