Bringing The Heat With JEREMY SOSVILLE From SANHEDRIN

HEAVY Music Interviews

#HEAVY Magazine #Music #Showbiz #News

22:08

Host Francesca Amiker sits down with directors Joe and Anthony Russo, producer Angela Russo-Otstot, stars Millie Bobby Brown and Chris Pratt, and more to uncover how family was the key to building the emotional core of The Electric State . From the Russos’ own experiences growing up in a large Italian family to the film’s central relationship between Michelle and her robot brother Kid Cosmo, family relationships both on and off of the set were the key to bringing The Electric State to life. Listen to more from Netflix Podcasts . State Secrets: Inside the Making of The Electric State is produced by Netflix and Treefort Media.…

10 days ago 11:32

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Interview by Kris Peters
New York trio SANHEDRIN released their long-awaited new full-length, Heat Lightning, last Friday via Metal Blade Records.
SANHEDRIN has spent the last decade at the forefront of the American heavy metal scene blending traditional metal and hard rock sounds with a fresh modern energy and perspective. With 2022’s critically lauded Lights On full-length, the band had created their most complete work to date. With their follow-up, Heat Lightning, the band delivers a diverse collection of songs that wholly captures their wide array of influences with an elevated level of production.
“Sonically, there’s no comparison,” notes drummer Nathan Honor when asked how Heat Lightning compares to the band’s previous efforts. “Heat Lightning is the fullest representation of the power of this band. When you take three seasoned musicians with their favourite handpicked instruments, put them in front of two brilliant producer/engineers in a studio stacked with incredible equipment and no outside distractions, this is what you get.”
Unlike the previous three albums, which were all tracked and mixed by Colin
Marston, for Heat Lightning SANHEDRIN opted to work with a fresh set of ears in a new environment. In doing so, the band landed at the legendary Utopia Bearsville studio in Woodstock, New York. At the helm for recording and co-producing were Matt Brown (Life of Agony, A Pale Horse Named Death) and Jerry Farley (Sick Of It All, Madball).
Heat Lightning gets its title from the second track of the same name. “Heat lightning is a flash of lightning from very far away, sometimes seen in a clear sky,” says vocalist/bassist Erica Stoltz. “It is used as a metaphor for where we see ourselves at the moment in relation to climate change. Collectively, we have moved further away from our direct relationship to nature and have adopted a paternal relationship with the natural world, as if we have control. It was one of the first songs written for the album, and one of the most dynamic tracks the band has ever written."
Elsewhere, The Fight Of Your Life is a tribute to those we call “lifers” in the music business. “It’s about the compulsion to play music no matter what. When you get the bug, and you have it for life, it is your north star, your reason to be,” says Stoltz. Franklin County Line is the fastest song on the record, and inspired guitarist Jeremy Sosville’s hometown and surrounding area in northern New York state. Sosville recounts, “Erica and Nathan came up to visit me and work on new music. In the process, we wrote a song inspired by the local Amish population but with a naughty twist.”
The record commences with Blind Wolf, a hard-rocking, heavy metal stomper and the record’s lead single. Lyrically, the song is inspired by the band’s shared fascination with cults. According to Stoltz, “The blind wolf symbolizes losing your animal instincts as a result of adopting someone else's belief system.” The song is straightforward, pounding, and delivered with ill intent. “We knew as soon as the song was complete that it should open the record,” says Sosville. “It really sets the tone for the journey the listener is about to take with this album.”
HEAVY caught up with Sosville to find out more.
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

1004 episodes

Bringing The Heat With JEREMY SOSVILLE From SANHEDRIN

HEAVY Music Interviews

published 10 days ago

MP3•Episode home

1004 episodes

#HEAVY Magazine #Music #Showbiz #News

All episodes

1
Finding Your Way With VLAD & KATIE From SLUNG 26:16

2 hours ago26:16

26:16

Interview by Kris Peters English rock outfit Slung’s upcoming debut album is a collaborative combustion of its members’ experiences, circumstances and supreme musicianship. Their sonic universe - comprising the power of guitarist Ali Johnson’s incendiary riffs, vocalist Katie Oldham’s enviable dynamic and tonal range, bassist Vlad Matveikov’s undulating, yet grounding bass lines and drummer Ravi Martin’s expert rhythmic punctuation - is a veritable musical supernova. With influences covering most spectrums of the musical world - from Deftones and Baroness to Wednesday and MJ Lenderman to Queens of the Stone Age and even a sprinkling of Chappell Roan and Fleetwood Mac - Slung refuse to pigeon hole their music and as such have created a sound that is fresh, vibrant, and unmistakably their own. With a debut duo of singles at the tail end of 2024, Slung’s sounds piqued interest among discerning ears across the industry and internet. But true to form, the band elected to hit the road in order to gain experience and connect with the people before releasing even one song. It was a brave but ultimately rewarding take on old school ethos that has seen Slung build a sizeable fan base that will only increase after the release of their first album In Ways on May 2. HEAVY spoke with Vlad and Katie to find out more. "We're really stoked that these songs we've been cooking up for ages are sneaking out," Vlad enthused. "And it's amazing that people from all over the world are enjoying them. It kind of makes this otherwise horrendously expensive and absolutely ludicrous hobby that is making music - because you can't make a living out of it - a bit more justifiable (laughs)." We ask how they are feeling with the release date getting closer every day. "I think it's kind of a mystery what's going to happen in May," Katie answered honestly, "because the way that we've formed this band, or the way this band has become what it is now, it feels so backwards a lot of the time. It feels like we recorded an album before we ever played live once and before or I ever sung these songs in front of a single other person, we recorded them. So when we hear them back now, after having gigged quite a lot the last year, they sound so different to how we're used to playing them. But it's almost like a relic that you discover in the attic, and you're like, 'wow, what's this?' It's like a hidden gem. So there is this sense of nervousness, but mostly just excitement, because as I say, we're just so thrilled to have the chance to make this thing and release it. That alone is good enough for us. But what would be really nice is if there was a bunch of people who received it so warmly. Yeah, so nervous, but really excited." In the full interview, the discussion centred on Slung's debut album In Ways. Vlad and Katie shared insights into their unconventional journey of recording the album before performing live, which has generated intrigue among listeners. Both artists expressed a mix of excitement and nervousness about the album's reception, highlighting the positive global traction their singles have received. They emphasized their gratitude for the opportunity to share their music, despite the challenges faced in the music industry. Katie elaborated on the distinct sounds of their singles, such as Laughter, Collider, and Thinking About It, which showcase different facets of the band's identity. She noted that while some tracks maintain a sonic theme, others, particularly those influenced by country music, may surprise listeners. Vlad described the album as a journey with varied styles, referring to it as "bipolar" in its musical diversity. Both artists expressed confidence in the audience's ability to appreciate the album's cohesion, despite its eclectic influences and serious themes, which range from bullfighting to the sex worker industry. The creative process behind the album was also discussed, with Katie sharing her unique approach of reinterpreting lyrics from other songwriters to craft her narratives. She highlighted the emotional depth of the song Nothing Left, written during a challenging time in her life. Vlad recounted his initial meeting with guitarist Ali in Australia, which laid the foundation for their band and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…

1
The Games People Play With CARL JACKSON From WOLSTEN BUTCHERS 16:58

20 hours ago16:58

16:58

Interview by Kris Peters The last 12 months has seen punk rock outfit the Wolsten Butchers share the stage with some iconic punk rock acts like The Decline, and international punk stalwarts Guttermouth and Belvedere, but none of those experiences could have prepared them for the unexpected and massive success of the single Live Dead Die Fast which catapulted the name Wolsten Butchers into corners of the music world never before imagined. But now the fun really starts. Global success brings with it increased expectation and heightened scrutiny, so often the next track released can either make or break a band long term. So what do the Wolsten Butchers do? Release another absolute banger with Play These Games, further exploring the hard rock element of the band's musical psyche and keeping their foot flat to the floor in all relevant departments. HEAVY caught up with singer/guitarist Carl Jackson to find out about the new track and how the boys handled their sudden rise to prominence. "It's the first thing I think I've done in my life that potentially I could say is highly anticipated," Jackson laughed about the impending release of the new single. "It's a blessing and a curse when you have a song that does really well, you have to… well I suppose you don't have to follow that up, but you want to. You want the same response as the last one, potentially even more. So I'm excited. I love the song. I love the clip. I'm really excited about what it is, but also just really nervous about what people are going to think." In the full interview, the discussion focused on the Wolston Butchers' upcoming single release, Play These Games, with Carl expressing both excitement and anxiety about following up their previous hit, Live Dead Die Fast. He described the new track as heavier, complemented by a bright music video concept that contrasts its intensity. He also reflected on the band's evolving sound and their openness to creating radio-friendly pop-punk music. The conversation also highlighted the band's energetic live performances, upcoming shows including a gig with Bodyjar, and participation in the We Belong Festival with Frenzal Rhomb. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…

1
Variety Is The Spice Of Musical Life With BLINX & SHINBONE From HISS 11:16

21 hours ago11:16

11:16

Interview by Kris Peters Busting out of the musical walls of Brisbane in late 2022, five childhood friends united to create an infectious cocktail of catchy, heavy riffs, hard-hitting lyrics and purposeful melodies. Familiar, yet unique, the HISS sound is as diverse as the appearance and influences of the individual band members themselves. Their frenetic hook-laden energy - think Alice In Chains meets Helmet with a dash of Sex Pistols and Slayer combined - will guarantee crossover appeal throughout the rock and metal community. The grungy garage-metal punks recently dropped the first track, Trace, from their upcoming debut album Enoz Latem and are preparing to launch it this Saturday, March 29 at Greaser Bar in Brisbane alongside Tawny Hawk and Dedway. Trace also features on a 7” vinyl release in hot pink (limited to 150 copies) that the band has pressed via their own imprint LFT Records to coincide with the album launch and other promotional activities. HEAVY caught up with Blinx Bonaccorso (vocals) and Shinbone Starr (guitar) to find out more. "It's been great so far," Starr enthused when asked about the early reception for Trace. "That one goes over well live, and it seems to be a good crossover track. It's got a great, heavy groove underpinning it and also some good melodies in there. Playing that one live is normally where we see a lot of people come from the outside of the room, gravitating, like 'what's going on here'." In the full interview, the discussion focused on the technical setup and promotional plans for Hiss's debut album, Enoz Latem and their first single, Trace. The band expressed excitement about their music's crossover appeal and their collaborative creative process, emphasizing their blend of grunge and punk influences. We also discussed plans for the album launch at Greaser Bar this Saturday (March 29), including exclusive merchandise, free entry, and a themed cocktail plus more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…

1
CHAS LEVI From JUSTICE FOR THE DAMNED Talks Resilience, New Music, And The Upcoming Australian Tour 29:29

24 hours ago29:29

29:29

Interview by Angela Croudace In a recent interview, Chas Levi, the drummer of Justice For The Damned, shared his excitement about returning to the stage after a challenging period, as well as the band's highly anticipated new music and upcoming Australian tour. The band's journey has been anything but easy, but with their latest single, The Current, they have come out stronger and more determined than ever. Chas spoke candidly about the surreal feeling of being back with the band after battling through personal struggles. "It's just a total blur," he admits. "It's happened so fast, and I can barely believe it, but I'm stoked." The band's resilience is evident, and with new music released and tours lined up, Chas and his bandmates are more energized than ever. He also mentioned that getting back into the groove of performing has been an incredibly rewarding experience. "The shows so far have been insane," he says. "They feel so much better now, maybe it's just because I'm back, but it’s like nothing else." Looking ahead, Justice For The Damned is gearing up for their headline Australian tour this March, covering major cities as well as more regional areas. "It’s going to be wild, especially the regional tour," Chas reveals. "Some of these places are so off the map for us, but we want to bring the energy to every corner of Australia." For Chas, this tour is especially significant because it marks his return to the stage in his home country after a long absence. As for the music, the band's upcoming album promises to be an exciting blend of new sounds, with Chas describing the new material as more groovy and spacious compared to previous releases. The latest single, The Current, has already been well received by fans, and the band is eager to perform it live. Chas says the track has resonated with him on a personal level, reflecting both his struggles and triumphs. "It’s about endurance and resilience, things we’ve all gone through, especially in the last few years." Looking back at the band's journey, Chas is grateful for the opportunity to connect with fans across the world. He’s especially excited about the upcoming regional shows, which he sees as a way of returning to the roots of their fan base. "We’re just excited to be bringing our music to places we’ve never been before," he says. "It’s the most fun you can have, playing to passionate people who might not always get the big shows coming through." Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…

1
Good Music Lives Forever With PHIL CAMPBELL 11:33

2 days ago11:33

11:33

Interview by Kris Peters Phil Cambpell was, and always will be, primarily known for being one-third of the legendary metal outfit Motorhead. For more than 30 years Campbell stood side by side on the biggest stages in the world alongside his brother Lemmy, recording 16 albums and having a major role in Motorhead classics like Orgasmatron, Killed by Death, Going to Brazil, Eat the Rich, Stone Deaf in the USA, Rock 'n' Roll and more. While the music world at large mourned Lemmy's passing, those closest to him were left with a gaping chasm in their lives; a musical and personal void which would be impossible to replace. But Campbell was lucky in the respect he had his family to fall back on and not just emotionally. Within one year of Lemmy's passing, Campbell's three boys - Todd, Tyla and Dane - had rallied around their father, uniting to form their own band aptly named Phil Campbell & The Bastard Sons. Whether the band was started to fill the void or as a form of comfort or for any other reason in the Metal Gods playbook, they are still going strong almost ten years later and are about to make their maiden voyage as a band to Australia in September for a run of shows that promises to be one of the must-see live shows of 2025. Not only will The Bastard Sons be playing material from their three albums, but Campbell has also promised an equal portion of Motorhead tunes not seen or heard in this country since before 2015. But to make sure that wasn't just a vicious rumour, HEAVY tracked Phil down to make sure things were on track. Amongst the general chit-chat we asked Phil if he is comfortable playing Motorhead songs without Lemmy there with him, in particularly how it felt the first few times he performed after Lemmy left us. "It's never going to be Motorhead, obviously, without Lem," he sighed, "but we give it a good shot. It'll be the only chance for especially younger Australians to have heard some of the Motorhead stuff with a band member playing them. We get a lot of youngsters come to our shows anyway if we're playing Motörhead stuff or our own stuff. We get older Motörhead fans bringing their young children to the shows. Basically they're just turning them on to good live music because there's so much crap about these days with autotuned voices and all that. We're the real deal, which is the way it should be." We nod in agreement before asking if having his boys by his side made things easier. "I spent a lot of the boy's formative years away from them when I was so busy with Motörhead," he replied. "So it's great to be able to give something back, you know, and spend time with them and still go around the world in another kick-ass rock and roll band. You know, they deserve it. They're great players. The band is as tight as hell that we have now. So they deserve it. They deserve to tread the boards. It's a lot of fun, yeah. I enjoy it." In the full interview, Phil spoke more about what we can expect from the show and coming up with a list of Motorhead songs to appease the masses. He highlighted the difficulties in choosing songs from the vast Motörhead repertoire and expressed excitement about performing with his sons. He also underscored the significance of creativity in the songwriting for Phil Campbell & The Bastard Sons, encouraging experimentation without rigid constraints. Phil spoke about his love of rock n roll and how forming The Bastards came at the perfect time for him, introduced us to the new (ish) singer Joel Peters and explained how he fits in with plans moving forward, hinted at new music and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…

1
Stacking Up The Bodies With JACOB & ETHAN From THORNHILL 16:20

2 days ago16:20

16:20

Interview by Kris Peters After earning themselves an ARIA nomination with 2022's album Heroine, Melbourne metal titans Thornhill have pulled out all stops to ensure its successor further explores the sonic parameters in which their music falls. Bodies finds Thornhill elevating to spectacular new heights, offering an unbridled explosion of raw vulnerability fused with some of the band's heaviest moments to date. While Heroine revelled in lush textures and bold, curated aesthetics, Bodies finds Thornhill opening the floodgates to spontaneity. Balancing intensity with boundless creative freedom and ingenuity, album number three for Thornhill is not only a definitive snapshot of a band in full flight just shy of a decade into their staggering career; it's also a celebration of authenticity and gripping dynamism from one of Australia's most engaging heavy acts. HEAVY caught up with vocalist Jacob Charlton and guitarist Ethan McCann to talk more. "I think the first thing that we wanted to sit down to after Heroine was we wanted a lot more energy and a lot more pace in the music," Ethan explained. "We found that when we took Heroine to our live show it felt like it was dragging at times. Because we started playing heavy music when we were teenagers we kind of missed that energy, and seing that reaction in real time." We ask how they actually achieved that, to which Ethan replied, "I think just a lot more focus on rhythm, and drumbeat. Jacob was listening to a lot more pop and R&B music around this time, so I think there was a lot more pace with his vocal patterns, as opposed to long, stretched out chords and crooning vocals from the last album." In the full interview we speak to Jacob and Ethan more about the musicality on Bodies, the pressures of following an ARIA nominated album, how it contains the heaviest moments in Thornhill's musical history, the singles released and how they represent the album as a whole, how Bodies represents Thornhill in 2025, this weekends Album Listening shows and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…

1
A Last Farewell With KIP WINGER From WINGER 15:57

2 days ago15:57

15:57

Interview by Kris Peters American hard rock outfit Winger have been a mainstay in the global music scene for almost 40 years, with their triple-platinum, self-titled debut album spawning hits like Seventeen, Headed for a Heartbreak, and Madalaine. Their sophomore album, In the Heart of the Young, solidified Winger's place in rock history, delivering anthems such as Miles Away and Can’t Get Enuff, propelling the band into a select group of artists who have become bigger than the industry that created them. Over the years, Winger has gained significant critical acclaim, with Grammy nominations and widespread recognition for their intricate compositions and electrifying stage presence. Each member of the band has built an impressive resume beyond the project, with Reb Beach becoming a longtime guitarist for Whitesnake, Rod Morgenstein playing with the Dixie Dregs, Paul Taylor collaborating with Alice Cooper, John Roth playing with Giant and Starship, and frontman Kip Winger enjoying a successful solo career and a critically acclaimed career as an orchestral composer which has earned him a Grammy nomination. But for all of Winger's achievements and tales from over the years, there is one mountain left to climb. One world left to conquer. And that world is here. Australia. It's hard to fathom that the original incarnation of Winger has never toured this country, with previous visits being either as Kip performing solo or without the original band lineup. But in honour of their Australian fans and perhaps as a means of ticking off remaining bucket list points, Winger are finally headed this way - with original members - for a run of shows this April to deliver the ultimate send-off, celebrating decades of iconic music in a career spanning musical spectacle. HEAVY had the pleasure of spending time with Kip ahead of the tour, at one stage asking him what it will mean for him to round out his musical career to date with the upcoming shows. "The band has got a huge legacy, and it's rare that a band like us would be all original members still," he replied. "It's rare, and we all still really enjoy playing with each other on stage, so it's great. When we played Australia in 2014 it was just spectacular. I mean, the fans are awesome, and I've always wanted to come back with the band. We're very excited about coming, and we've got all the original members, including John Roth. So it's actually going to be better than it would have been before because I don't think John was able to come that time." Another topic we broached was the period in the mid-1990s that saw Winger part ways, largely due to the explosion of grunge, and ask if that movement was as bad for rock music as history has led us to believe. "Yeah, it was over like that," Kip sighed. "It was over overnight. When Smells Like Teen Spirit came out MTV dropped all the 80s bands, and MTV was really the big promotion tool. Then you had Beavis and Butthead and all that stuff, which didn't help at all. They were lifting all the grunge bands up and talking trash about all the bands like us, so it was over in a second. It was like, you're playing an arena, and then you're playing a club within a six-month period." In the full interview, Kip discussed Winger's upcoming tour in Japan and Australia with the original line up, emphasizing its significance as a rare opportunity for fans to see the band perform together in their purest form. He highlighted his transition to a classical music career, which adds to the tour's importance, and reflected on the band's legacy and positive experiences from their previous Australian tour in 2014. Kip recounted the band's formation during the peak of rock music in the late 1980s, their rise to fame, and the subsequent decline due to the grunge movement, which led to their disbandment in 1994. He noted his continued musical pursuits through solo projects and the resurgence of interest in Winger's music, keeping the spirit of rock alive. Kip also shared his artistic evolution towards orchestral music, mentioning his classical album and current projects with the Nashville Symphony and more. Australian tour tickets https://www.silverbacktouring.com/ Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…

1
BRAD ROBERTS Of CRASH TEST DUMMIES Talks Of Their Return To Australia And Band Legacy 13:49

3 days ago13:49

13:49

Words by Angela Croudace After decades since their last show in Australia, Brad Roberts of Crash Test Dummies is excited to return. The Canadian band’s first Australian tour, back in the early 90s, was met with poor attendance as they were relatively unknown at the time. “When we played our first tour in Australia, we were promoting our very first record, Ghosts That Haunt Me. We had a hit in Canada, but hardly anyone knew us there,” Brad recalls. However, the situation has drastically changed, and this time, with a larger fan base, the band is eager for a more successful reception. Reflecting on the impact of God Shuffled His Feet, the album that defined the band’s career, Brad shares his pride. “It means a lot to me that God Shuffled His Feet holds such a special place in people's hearts after 30 years,” he says. The album, featuring iconic tracks like Superman's Song, still resonates with fans around the world. The band's success skyrocketed early on, with invitations to perform on Saturday Night Live and The David Letterman Show. Despite the early fame, Brad’s musical journey didn’t begin until after his university years at the University of Winnipeg. “I didn’t spend much time in music until after graduation. Success on the second record was overwhelming,” he admits. The Crash Test Dummies’ rise to fame is a testament to their unique sound and Brad’s distinct low voice, which became an unexpected asset. The reunion of the original line up in 2017 was a poignant moment for Brad and the band, marking a new chapter in their journey. “We decided we wanted to keep going because we had such a good time,” he reflects. As the band gears up for their upcoming tour, Brad’s passion for music remains strong. “I still love touring and playing,” he says. And with the ongoing evolution of music, Brad continues to study classical composition, including the works of Bach, proving that music is a lifelong constant. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…

1
EPICA's 'Aspiral': A Journey Of Art, Inspiration, And Growth 22:27

3 days ago22:27

22:27

Interview by Angela Croudace In an interview with Simone Simons, lead vocalist of the symphonic metal band Epica, we dive into the band’s upcoming album Aspiral—a powerful reflection of their growth, both musically and personally. Simone describes Aspiral as a fresh start, where the band’s continuous evolution is highlighted through their music and lyrics. The title of the album was inspired by a Stanislaw Szukalski bronze sculpture, a piece of art that left a profound impact on the band after a visit in 2022. Simone explains that the album’s theme of rebirth, renewal, and self-discovery resonates deeply with the band members, as they navigate their individual struggles and experiences. The synergy between art and music is a key theme, with Szukalski’s sculpture influencing not just the visuals but the emotional core of the album. The band embraced a unique writing process through isolated writing camps, allowing them to fully immerse in creating without distractions. Simone shared how the intimacy and collaboration during these camps fostered a stronger bond between the band members, helping them achieve creative heights while crafting songs with emotional depth. Simone also reflected on the emotional power of Epica’s music, recalling poignant fan inter Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…

1
Unleashing The Animal With ROK RUPKIN From WITHIN DESTRUCTION 14:10

3 days ago14:10

14:10

Interview by Kris Peters Within Destruction, Slovenia’s most awesomely audacious, genre-defying metal pioneers, have officially announced their next chapter with the reveal of their upcoming album Animetal set for release on April 11, 2025, via Sumerian Records. To mark the news, the band has dropped their electrifying new single Cybergirl, accompanied by an official music video that plunges listeners into a dystopian world where the lines of reality are blurred. Packed with relentless riffs, soaring melodies, and their signature, anime-inspired electronic elements, Cybergirl epitomises Within Destruction’s ability to innovate and push boundaries while staying rooted in the chaos of modern metal. In more good news, the Slovenian futurists have also announced their return to Australia on the eve of Animetal. Having truly transcended their deathcore origins, the band’s once relentlessly brutal sound has flourished into a cyberized, anime-inspired, and unpredictable concoction. Fans of sheer guttural force fear not, however - as fellow Europeans Distant will be tagging along to bring their downtempo slams to Australia for the first time ever. With Melbourne’s Gravemind rounding out the bill, this is a psychotic trio of modern metal sure to dazzle and pulverise. HEAVY caught up with Within Destruction's frontman Rok Rupkin recently to discuss the album and tour. "If you listen to our other records and then listen to Animetal there is quite a bit of sound difference," he measured when asked to describe the new album musically. "The reason why that is the case is because we have decided to stray our own path to set ourselves away from the industry. Not only through the sound but also visually through art, through music videos and band members as well. So any time someone would listen to our song or see our album, they would immediately say I know this is Within Destruction. We wanted to build our own brand, in a way." In the full interview, Rok talks more about Animetal and what Within Destruction were going for musically, how their sound has changed since their previous release, the anime aspect to the album and how they fit in together, the early days of the band and where they fit in, musical growth and how much Within Destruction have left in them, their upcoming shows in Australia and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…

1
AI For Heavy Metal Vocalists Has Arrived With HXVOC - A Vocalist's Perspective With SEANN NICOLS 29:14

6 days ago29:14

29:14

Interview by Kris Peters With the modern world embracing technology like never before, it was only a matter of time before the metal scene and metal music became caught up in its web. Don't get me wrong, technology and the wonders of modern advancement have long been a part of the music industry - everywhere from live sound to studio tricks to programmed drums - but it is the concept of AI that has been more divisive and controversial than anything else. But it has always been inevitable. Like it or loathe it, AI is not only here, it is also integrating into more of life and music than some of us care to admit. Until now, heavy metal has been unchartered territory for anything AI-generated. Musically there have been many advancements but when it came time to replicating hard rock/metal vocals the challenge seemed to always be insurmountable. But not any more. In conjunction with AI vocal synthesis company Eclipsed Sounds, Seann Nicols (Westfield Massacre, Adler's Appetite, Quiet Riot) has been working on something new and exciting called HXVOC, the first-ever AI rock/metal vocalist for Synthesizer V Studio 2. This is an entirely new technology that allows producers to generate fully realistic rock and metal vocals, complete with rasp, grit, and even full-on screams. HXVOC is a first-of-its-kind AI vocal instrument that gives musicians and producers unprecedented access to a professional rock/metal vocalist without needing a real singer. It’s powered by Synthesizer V Studio 2, the most advanced vocal synthesis engine available today. The key breakthrough is that HXVOC can accurately perform aggressive rock and metal vocal techniques, including rasp, grit, belting, growls, and screams—which have never been done at this level in a vocal synth before. Rather than replacing singers, HXVOC is an instrument for musicians - just like drum machines and amp sims. It empowers producers, bands, and solo artists by letting them create fully produced songs with high-quality rock vocals. This is a major first for the vocal synthesis world, and it’s already making waves. Two official showcase videos have been released, original songs demonstrating HXVOC’s capabilities in both a Sleep Token - style track and a modern rock song created specifically to highlight its vocal modes. This technology is about to change music production in a big way, especially for rock and metal. Now, any producer in the world can access a professional-quality rock vocal without needing to record a singer. With AI-powered vocals becoming more advanced, this could be a turning point for the industry. A known and respected hard rock/metal vocalist, Nicols has approached things from the perspective of a working musician and is adamant HXVOC will only benefit the music industry, not destroy it. HEAVY sat down with him for a chat to find out more about HXVOC and ask a few questions that we think may pose a concern. "It's got a lot of moving parts," he began. "And I'm new to the space, so I'm by no means an expert. But I'll give you the best to my knowledge. Basically, AI vocal synths have existed for a long time. Apparently this has been like 25 years in the making. I guess it started with a thing called Vocaloid, which is a company that Yamaha founded. And it started out as a Japanese-based company, and they did like a lot of anime, and it went into pop and electronic. And that's mainly where the AI voices have found most of their traction. But to get a voice that worked for rock was really hard and challenging. Because they couldn't get the grit, they couldn't get the… they couldn't get the aggression to come out of the voice. It just sounded very robotic, and they could produce clean tones, but they couldn't produce that like guttural, like raw that you need for rock, right? So basically this is the first time that we've had those intense techniques captured and reproduced with an AI. And it took us about, well, two years in development. And it was actually just a meeting of technology and the engineering behind it and the team and the training and special techniques that all had to go into capturing and being able to create this voice that people can get like a real rock metal vocalist right out of the computer with the AI." We hit him with the question many are wanting to know: Is HXVOC designed to actually replace a vocalist in a band? "Not at all," he stressed. "No. It's an instrument. It's not a replacement. And I realize that's a concern, but, you know, I was toying around with this technology for a long time. I mean, it started with drums, and then it turned out you could do your drums and program your bass, and then they created guitars and synthesizers, and there's orchestral libraries and everything. And this is just an extension of that, but now for the human voice. And now when we listen to demos that are made by musicians on their computers, the drums sound pretty killer. And it's because of guys like Stephen Slate that made the really complicated process of recording drums in a big studio, and you need all these microphones and these crazy consoles and engineers. I mean, it's super complicated to get a good drum sound, but he just made it so it was really easy so you could just load it up on your computer put your beats in and voila it's like sounds like it was recorded in a million dollar studio and uh that's what we've done essentially with a rock voice now." In the full interview, we engaged in a detailed discussion about the evolving role of technology in the music industry, particularly focusing on Seann's collaboration with Eclipse Sounds and the introduction of their AI vocal instrument, HXVOC. Seann emphasized the potential of AI vocal technology to enhance songwriting and studio work, viewing it as a valuable tool rather than a threat to jobs in the industry. Seann elaborated on the capabilities of HXVOC, highlighting its ability to capture the nuances of rock and metal vocal techniques, which have historically been challenging to record. He reassured that the software is intended as an instrument to empower musicians rather than replace live vocalists. We addressed some of the concerns that invariably come with new innovations, his role in HXVOC, how it will benefit the heavy metal industry and plenty more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…

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Harnessing The Rage With TOM KENNEDY From BARE BONES 21:20

6 days ago21:20

21:20

Interview by Kris Peters Sydney hard rock/metal outfit Bare Bones are the gift that keep on giving musically. Over more than a decade in the Australian music scene, the band have never shied away from their beliefs, maintaining a DIY approach to life and music that has seen them win the respect of their peers as well as the adulation of a quickly growing fan base that pretty much doubles every time Bare Bones play at a music festival or to people that might not have heard of them before. Ferociously uncompromising on stage, Bare Bones have carried that intent into the studio with their latest EP, Ceremonial Rage (out now). Proudly - and rightfully - anointed as the band's heaviest, most aggressive slab of music to date, the five-track Ceremonial Rage sees Bare Bones more embracing their earlier and heavier musical influences, experimenting with the past just enough to put a fresh, exciting spin on their future. HEAVY caught up with vocalist Tom Kennedy this morning to chat about the EP and Bare Bones' special EP launch at Chuck Trailers in Sydney tonight. Naturally, we lead with the assessment that this is the heaviest material yet released by the band. "100%, yeah," Kennedy replied without hesitation. "I think it's kind of a natural progression from where we've been going. Our music seems to get heavier each time. We put out our first full-length album, Bad Habits, and then when we went and did our second full-length, Rival Minds, people were like, this is definitely heavier and darker. And then it's just kind of been going more and more that way ever since. So kind of a natural progression. This is where we've ended up." Which leads to us asking Kennedy if the heavier direction was something they spoke about as a band during the creative process. "You know what man, we've been around for like 12-13 years at this point and this EP is the first time we've ever had that conversation," he replied. "It's always kind of been like this unconscious vibe thing going into writing. It's just like, well, let's just do what we always do and get together and come up with some riffs and stuff. But this time before we started, we had that chat like, what direction do we want to take this? And for us, it's getting back to the stuff that we grew up on. Being in a band with unique, distinct personalities, you all have pretty different tastes when it comes to music and art and all that kind of stuff. But I guess the one thing that we've always loved and agreed on is bands like Slipknot, Korn and Limp Bizkit. And so we just kind of thought, let's lean into that. Let's try and give a modern take on that kind of thing and put our spin on it." In the full interview, we explored the creative journey behind each track, with Tom explaining that Cobra Clutch evolved from an industrial metal demo to a dynamic song featuring rapping, with Vertebreaker showcasing a catchy chorus and heavy breakdown. The rapid writing process for Tiger Driver was influenced by hip-hop, while Burning Hammer addresses serious global issues. Tom expressed satisfaction with the EP's direction and the reinvigoration of their passion for music, hinting at future explorations. He also provided an overview of the Chuck Trailers venue in Sydney, emphasizing the importance of free entry for fans to their EP launch on March 20 and the addition of several bands to the opening gig line up, reflecting on the community aspect of live music and the band's commitment to staying active in the scene. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…

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DANI FILTH Talks New Album, Religion, And Future Collaborations 18:29

7 days ago18:29

18:29

Interview by Angela Croudace Cradle of Filth’s frontman, Dani Filth, sat down with HEAVY to discuss the band’s 14th studio album, The Screaming of the Valkyries, their evolution over the years, and the provocative themes they've explored in their music. Dani shared that the new album brings a modern sound while still nodding to Cradle of Filth’s roots, with a blend of fresh ideas and older influences. "It's a modern sound record, one step forward, but it also has a passing nod back to previous incarnations," he explained. This new direction is, in part, thanks to new members Donnie and Zoe, and the band's increased playtime during the pandemic, which helped refine their sound. Although the album doesn’t have a central concept, Dani describes it as a celebration of escapism, rituals, and vampirism. He elaborated on the inspiration behind the album’s title, revealing that it stems from the final track, When Misery Was a Stranger. The title The Screaming of the Valkyries was inspired by the impending doom of the Doomsday Clock, likening the sound of Valkyries’ screams during Ragnarok to the existential realisation of impending disaster. On the subject of religion, Dani was candid about his views, stating that while he respects others’ beliefs, he finds the notion of religion’s validity in the modern age absurd. “I think time has just worn out the message,” he said, pointing to the age of science and the contradictions he sees within religious teachings. However, he emphasised that it’s the belief itself, not the dogma, that holds value. Over the years, the band’s dynamic has evolved significantly, with Dani noting that the band and crew have become a tight-knit family. He shared a personal moment, reflecting on a recent wedding within the band, symbolising the strong bond they now share. The influence of the band's longevity and experience shows through in the new album, which recalls elements of their older works. When asked about his favourite track from the new album, Dani pointed to Ex Sanguine Draculae, a song that takes him back to the band’s earlier work in the ‘90s. “It just reminds me of the era that we did the Dusk and Her Embrace record,” he said. He also revealed the band’s collaboration with renowned producer Scott Atkins, praising his approach to refining the band’s sound and ensuring the production was sharp and true to their vision. Dani also shared that, if given the chance, he'd love to collaborate with Lana Del Rey, citing her gothic sensibilities and haunting voice as a perfect fit for Cradle of Filth's style. Fans of both artists may just get lucky one day. As for the fan experience, Dani recalled a bizarre moment in Australia when a fan gave the band a prosthetic leg as a gift, only for it to later be tossed onto the stage during a performance. "I don’t know whether it was a gift or whether we should have given it back," he mused, "We did give it back though" he confirmed. With The Screaming of the Valkyries out this week, Cradle of Filth continues to push boundaries while honoring their legacy in the metal world. Fans can expect a thrilling mix of old and new, with Dani and his bandmates at the forefront, creating music that’s as unpredictable and darkly captivating as ever. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…

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LETLIVE. Return To Australia: A Spiritual Reunion And Evolution Of Sound 12:46

8 days ago12:46

12:46

Interview by Angela Croudace Letlive’s reunion isn’t just a return to the stage—it’s an emotional and spiritual journey for the band. After a seven-year break, the group, which originally formed in 2002, has reconnected, sharing stories of their lives and realising they were all in similar places. This realisation, combined with their shared love for music and each other, sparked the decision to hit the road again. Initially, they planned a few shows, but the idea grew into a full tour that includes Australia this September. Jason Aalon Butler, the band’s frontman and son of soul artist Aalon Butler, explains that their decision to reunite wasn’t merely about nostalgia—it was a deeper spiritual alignment. The members of Letlive have evolved individually, and as a result, their relationships have become stronger. “We understand ourselves much better than when we were younger,” Jason reflects, noting how life experiences have brought them closer. The band's line up now includes new faces, like Sage Weber on drums and Skyler Accord on bass. “They just fit again because they get it,” Jason says. Their talent and energy bring something fresh to the band, creating a perfect synergy with the original members. Letlive’s sound has also evolved over the years, expanding from the punk roots of their early albums like Fake History to incorporate diverse influences, from jazz fusion to hip-hop. Jason explains that the band's goal has always been to expand their reach while remaining authentic to themselves. “We try to be as honest as we can with the art we create,” he says. After playing massive festivals like Warped Tour and Louder Than Life, Letlive is excited to return to the stage with their renewed energy. The band's live shows have always resonated deeply with fans, largely due to their raw transparency and passion. Jason emphasises, “We’re just fans of the art, and we perform as fans first.” As the band prepares to return to Australia, Jason recalls his first trip there as a pivotal moment in his career. “It felt like I had arrived,” he says. For Letlive, this September marks not jus Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…

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Destiny Strikes With PAUL LEWIS From HIDDEN INTENT 20:41

8 days ago20:41