Everywhere around us are echoes of the past. Those echoes define the boundaries of states and countries, how we pray and how we fight. They determine what money we spend and how we earn it at work, what language we speak and how we raise our children. From Wondery, host Patrick Wyman, PhD (“Fall Of Rome”) helps us understand our world and how it got to be the way it is. Listen to Tides of History on the Wondery App or wherever you get your podcasts. You can listen to bonus episodes available ...
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How Hollywood First Depicted the Atomic Bomb and the Manhattan Project
MP3•Episode home
Manage episode 267756284 series 2421086
Content provided by Scott Rank, PhD and Scott Rank. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Scott Rank, PhD and Scott Rank or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Soon after atomic bombs exploded over Hiroshima and Nagasaki in 1945, MGM set out to make a movie studio chief Louis B. Mayer called “the most important story” he would ever film: a big budget dramatization of the Manhattan Project and the invention and use of the revolutionary new weapon.
Over at Paramount, Hal B. Wallis was ramping up his own film version. His screenwriter: the novelist Ayn Rand, who saw in physicist J. Robert Oppenheimer the model for a character she was sketching for Atlas Shrugged.
Today’s guest is Greg Mitchell’s, author of “The Beginning or the End,” and we discuss the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military—for reasons of propaganda, politics, and petty human vanity (this was Hollywood, after all).
…
continue reading
Over at Paramount, Hal B. Wallis was ramping up his own film version. His screenwriter: the novelist Ayn Rand, who saw in physicist J. Robert Oppenheimer the model for a character she was sketching for Atlas Shrugged.
Today’s guest is Greg Mitchell’s, author of “The Beginning or the End,” and we discuss the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military—for reasons of propaganda, politics, and petty human vanity (this was Hollywood, after all).
925 episodes
MP3•Episode home
Manage episode 267756284 series 2421086
Content provided by Scott Rank, PhD and Scott Rank. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Scott Rank, PhD and Scott Rank or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Soon after atomic bombs exploded over Hiroshima and Nagasaki in 1945, MGM set out to make a movie studio chief Louis B. Mayer called “the most important story” he would ever film: a big budget dramatization of the Manhattan Project and the invention and use of the revolutionary new weapon.
Over at Paramount, Hal B. Wallis was ramping up his own film version. His screenwriter: the novelist Ayn Rand, who saw in physicist J. Robert Oppenheimer the model for a character she was sketching for Atlas Shrugged.
Today’s guest is Greg Mitchell’s, author of “The Beginning or the End,” and we discuss the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military—for reasons of propaganda, politics, and petty human vanity (this was Hollywood, after all).
…
continue reading
Over at Paramount, Hal B. Wallis was ramping up his own film version. His screenwriter: the novelist Ayn Rand, who saw in physicist J. Robert Oppenheimer the model for a character she was sketching for Atlas Shrugged.
Today’s guest is Greg Mitchell’s, author of “The Beginning or the End,” and we discuss the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military—for reasons of propaganda, politics, and petty human vanity (this was Hollywood, after all).
925 episodes
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