In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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169: Ryan Gosling - From Mickey Mouse to Barbie
Manage episode 416943710 series 1195085
Content provided by Max Covill and Evan Crean. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Max Covill and Evan Crean or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Max and Evan are discussing the filmography of Ryan Gosling in honor of his new film, The Fall Guy, hitting theaters. They start at the beginning with mentions of Mickey Mouse Club, Murder by Numbers, and The Notebook. They follow his career all the way up to Barbie and celebrate his varied and exciting career. Stay tuned afterwards for discussions on Challengers and Erin Brockovich.
Website:
Download the episode today and tweet at John and Max (@itsthepicpod).
Like the show? Review us on iTunes! We are also available on Stitcher, Spotify, and Letterboxd.
Opening: "The Fire" by Dan_Mantau (c) 2022 - http://ccmixter.org/files/Dan_Mantau/64603 Licensed under
Creative Commons Attribution Noncommercial (3.0)
Closing: Pixie Pixels (featuring Kara Square) by spinningmerkaba (c) copyright 2016 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/jlbrock44/53778
Additional comments? Email us: itsthepictures@gmail.com
201 episodes
Share
Manage episode 416943710 series 1195085
Content provided by Max Covill and Evan Crean. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Max Covill and Evan Crean or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Max and Evan are discussing the filmography of Ryan Gosling in honor of his new film, The Fall Guy, hitting theaters. They start at the beginning with mentions of Mickey Mouse Club, Murder by Numbers, and The Notebook. They follow his career all the way up to Barbie and celebrate his varied and exciting career. Stay tuned afterwards for discussions on Challengers and Erin Brockovich.
Website:
Download the episode today and tweet at John and Max (@itsthepicpod).
Like the show? Review us on iTunes! We are also available on Stitcher, Spotify, and Letterboxd.
Opening: "The Fire" by Dan_Mantau (c) 2022 - http://ccmixter.org/files/Dan_Mantau/64603 Licensed under
Creative Commons Attribution Noncommercial (3.0)
Closing: Pixie Pixels (featuring Kara Square) by spinningmerkaba (c) copyright 2016 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/jlbrock44/53778
Additional comments? Email us: itsthepictures@gmail.com
201 episodes
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Similar to It's the Pictures
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
…
continue reading
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…
continue reading
Determining if all these so called classic films are indeed just that.
…
continue reading
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…
continue reading
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…
continue reading
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