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03: Beatboxing and Opera: A Love Story with Augusta Read Thomas and Nicole Paris

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Manage episode 212486380 series 2323843
Content provided by The Santa Fe Opera. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Santa Fe Opera or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

What happens when the composer that you've commissioned to write a new opera says to you, "Sit down -- I have something to tell you," and that something is that she's fallen in love... with a beatbox artist?

The first Opera for All Voices (OFAV) commission, Sweet Potato Kicks the Sun, is scheduled to premiere in the Fall of 2019 and this episode is a very early look at the creative process of Grammy Award winning composer, Augusta Read Thomas. We get a deep dive into how she "sculpts sound" to create magic, and how collaboration is such a crucial element in the way she composes new work.

The collaboration gets even livelier as we meet renowned beat-box artist, founder of Drop The Beats, and actor Nicole Paris, who plays an integral role in the original soundscaping of this new opera.

Listen in and fall in love for yourself.

***

Special music in this episode used with permission by Augusta Read Thomas.

Helix Spirals for String Quartet: Mvt. I. Loci, memory palace. Performed by the Spektral Quartet.

Of Being is a Bird: Mvt. II. The most triumphant Bird I ever knew or met. Claire Booth, soprano, Aurora Orchestra, Nicholas Collon conductor.

Love Twitters for solo piano. Nicola Melville, piano.

***

Key Change is a production of The Santa Fe Opera in collaboration with Opera For All Voices.

Produced and edited by Andrea Klunder at The Creative Impostor Studios

Hosts: Andrea Fellows Walters and Brandon Neal

Audio Engineer: Kabby at Kabby Sound Studios in Santa Fe

Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello.

Cover art by David Tousley

Special thanks to Halfway to Hell Studios in Albuquerque and C.W. Media in Chicago

OFAV Consortium Members: Lyric Opera for Kansas City, Minnesota Opera, Opera Theatre of Saint Louis, San Francisco Opera, Sarasota Opera and Seattle Opera.

This podcast is made possible due to the generous funding from the Melville Hankins Family Foundation, the Andrew W. Mellon Foundation, and an OPERA America Innovation Grant, supported by the Ann and Gordon Getty Foundation.

To learn more about Opera for all voices, visit us at SantaFeOpera.org

  continue reading

48 episodes

Artwork
iconShare
 
Manage episode 212486380 series 2323843
Content provided by The Santa Fe Opera. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Santa Fe Opera or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

What happens when the composer that you've commissioned to write a new opera says to you, "Sit down -- I have something to tell you," and that something is that she's fallen in love... with a beatbox artist?

The first Opera for All Voices (OFAV) commission, Sweet Potato Kicks the Sun, is scheduled to premiere in the Fall of 2019 and this episode is a very early look at the creative process of Grammy Award winning composer, Augusta Read Thomas. We get a deep dive into how she "sculpts sound" to create magic, and how collaboration is such a crucial element in the way she composes new work.

The collaboration gets even livelier as we meet renowned beat-box artist, founder of Drop The Beats, and actor Nicole Paris, who plays an integral role in the original soundscaping of this new opera.

Listen in and fall in love for yourself.

***

Special music in this episode used with permission by Augusta Read Thomas.

Helix Spirals for String Quartet: Mvt. I. Loci, memory palace. Performed by the Spektral Quartet.

Of Being is a Bird: Mvt. II. The most triumphant Bird I ever knew or met. Claire Booth, soprano, Aurora Orchestra, Nicholas Collon conductor.

Love Twitters for solo piano. Nicola Melville, piano.

***

Key Change is a production of The Santa Fe Opera in collaboration with Opera For All Voices.

Produced and edited by Andrea Klunder at The Creative Impostor Studios

Hosts: Andrea Fellows Walters and Brandon Neal

Audio Engineer: Kabby at Kabby Sound Studios in Santa Fe

Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello.

Cover art by David Tousley

Special thanks to Halfway to Hell Studios in Albuquerque and C.W. Media in Chicago

OFAV Consortium Members: Lyric Opera for Kansas City, Minnesota Opera, Opera Theatre of Saint Louis, San Francisco Opera, Sarasota Opera and Seattle Opera.

This podcast is made possible due to the generous funding from the Melville Hankins Family Foundation, the Andrew W. Mellon Foundation, and an OPERA America Innovation Grant, supported by the Ann and Gordon Getty Foundation.

To learn more about Opera for all voices, visit us at SantaFeOpera.org

  continue reading

48 episodes

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