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Crefovi's daily updates: Is music copyright law forcing artists to hand songwriting credits out?

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Manage episode 306416206 series 2420117
Content provided by Crefovi. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Crefovi or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Crefovi's daily updates: In the old days, musicians only had to clear the use of samples that they had taken out of other songs, created and released by other songwriters, composers and performers. However, since the ‟Blurred lines” case, musicians, their labels and publishers should potentially also obtain licences from the rightowners of any other song already in the public domain, which has a similar feel, vibe – a ‟sound alike”-, preferably before, but otherwise after, the new song is released. In this uncertain musical environment, in which even the most simple of musical compositions could be deemed to be protected by copyright, by a court jury and/or a judge, how do musical artists and their advisers deal with copyright infringement claims (actual or possible), to preserve the performer’s reputation and commercial success of their musical output? Is the strategy of handing out songwriting credits the best, in this environment? #creativeindustries #music #musiclaw #musiccopyright #copyright #musicecosystem #blurredlines #bittersweetsymphony #oliviarodrigo #Crefovidailyupdates #crefovidailyupdate #creativity

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116 episodes

Artwork
iconShare
 
Manage episode 306416206 series 2420117
Content provided by Crefovi. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Crefovi or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Crefovi's daily updates: In the old days, musicians only had to clear the use of samples that they had taken out of other songs, created and released by other songwriters, composers and performers. However, since the ‟Blurred lines” case, musicians, their labels and publishers should potentially also obtain licences from the rightowners of any other song already in the public domain, which has a similar feel, vibe – a ‟sound alike”-, preferably before, but otherwise after, the new song is released. In this uncertain musical environment, in which even the most simple of musical compositions could be deemed to be protected by copyright, by a court jury and/or a judge, how do musical artists and their advisers deal with copyright infringement claims (actual or possible), to preserve the performer’s reputation and commercial success of their musical output? Is the strategy of handing out songwriting credits the best, in this environment? #creativeindustries #music #musiclaw #musiccopyright #copyright #musicecosystem #blurredlines #bittersweetsymphony #oliviarodrigo #Crefovidailyupdates #crefovidailyupdate #creativity

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

116 episodes

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