In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Revisiting Robert Elswit, Cinematographer for “Mission: Impossible – Ghost Protocol” and “Mission: Impossible – Rogue Nation”
Manage episode 418674082 series 2949213
Content provided by Paramount Pictures. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Paramount Pictures or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week we are revisiting our conversation with Oscar®-winning cinematographer Robert Elswit, who shot both “Mission: Impossible – Ghost Protocol” and “Mission: Impossible – Rogue Nation.” It was a huge thrill getting to chat with this legend, who shares details about the making of both films, including what it was like to shoot the Burj, how his background in visual effects aided in the underwater sequence and what went into the opera sequence. It's a doozy!
This episode was originally released in February 2019.
You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now.
Learn more about your ad choices. Visit podcastchoices.com/adchoices
83 episodes
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Manage episode 418674082 series 2949213
Content provided by Paramount Pictures. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Paramount Pictures or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week we are revisiting our conversation with Oscar®-winning cinematographer Robert Elswit, who shot both “Mission: Impossible – Ghost Protocol” and “Mission: Impossible – Rogue Nation.” It was a huge thrill getting to chat with this legend, who shares details about the making of both films, including what it was like to shoot the Burj, how his background in visual effects aided in the underwater sequence and what went into the opera sequence. It's a doozy!
This episode was originally released in February 2019.
You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now.
Learn more about your ad choices. Visit podcastchoices.com/adchoices
83 episodes
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Similar to Light The Fuse - The Official Mission: Impossible Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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