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Manage episode 430684989 series 3488319
Content provided by Conde Nast & Vanity Fair, Conde Nast, and Vanity Fair. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Conde Nast & Vanity Fair, Conde Nast, and Vanity Fair or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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Manage episode 430684989 series 3488319
Content provided by Conde Nast & Vanity Fair, Conde Nast, and Vanity Fair. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Conde Nast & Vanity Fair, Conde Nast, and Vanity Fair or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Film festival fever is here! With Venice and Toronto announcing their starry annual lineups this week—featuring everyone from Angelina Jolie and Daniel Craig to Samuel L. Jackson and Selena Gomez—David, Richard, and Rebecca analyze the selections and discuss who appears most primed to launch into successful awards campaigns. Later, they get into the buzz around The Nickel Boys, an adaptation of the Pulitzer Prize-winning novel set to open the New York Film Festival.
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Similar to Little Gold Men by Vanity Fair
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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