In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 273 – Love at First Bite (1979)
Manage episode 395535642 series 2403133
Content provided by Max, Mike; Movies and Mike; Movies. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Max, Mike; Movies and Mike; Movies or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Welcome back to our “What’s So Funny?” series. And you know what’s funny? The blood-sucking undead. Oh, my sides! Yes, the 70’s brought a resurgence of Dracula movies (not that he ever really went away) and 1979 brought us one! Two! Three! Four! Five! Five Dracula movies! Ah ah ah! {sound of thunder}. And of all of them, “Love at First Bite” was certainly one of them. A rare attempt (if not the first attempt) to make Dracula funny (because what’s wackier than a humanoid apex predator who rips open peoples’ jugular veins and turns them into thralls? Forget Oscar Wilde, forget the Marx Brothers, we’ve got a guy with an unquenchable thirst for human blood! Oh, my sides! We do have Tanmaster Supreme, George Hamilton as Dracula, Arte Johnson giving us a hilarious Renfield, and Susan St. James doing a creditable job impersonating a blonde woman. Sadly, we also have . . . disco. Disco. We must never forget the horror that came before us . . . Give a listen and see if the humor holds up! Join us, master! I mean, mister!
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Manage episode 395535642 series 2403133
Content provided by Max, Mike; Movies and Mike; Movies. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Max, Mike; Movies and Mike; Movies or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Welcome back to our “What’s So Funny?” series. And you know what’s funny? The blood-sucking undead. Oh, my sides! Yes, the 70’s brought a resurgence of Dracula movies (not that he ever really went away) and 1979 brought us one! Two! Three! Four! Five! Five Dracula movies! Ah ah ah! {sound of thunder}. And of all of them, “Love at First Bite” was certainly one of them. A rare attempt (if not the first attempt) to make Dracula funny (because what’s wackier than a humanoid apex predator who rips open peoples’ jugular veins and turns them into thralls? Forget Oscar Wilde, forget the Marx Brothers, we’ve got a guy with an unquenchable thirst for human blood! Oh, my sides! We do have Tanmaster Supreme, George Hamilton as Dracula, Arte Johnson giving us a hilarious Renfield, and Susan St. James doing a creditable job impersonating a blonde woman. Sadly, we also have . . . disco. Disco. We must never forget the horror that came before us . . . Give a listen and see if the humor holds up! Join us, master! I mean, mister!
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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