In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 276 – The Cheap Detective (1978)
Manage episode 399355622 series 2403133
Content provided by Max, Mike; Movies and Mike; Movies. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Max, Mike; Movies and Mike; Movies or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Welcome to our penultimate “What’s So Funny?” episode; this week we’ve got a Neil Simon-penned (or more likely typewritered) little number, the spiritual sequel, sort of, to a movie both Mike and I really enjoy, “Murder By Death,” another Neil Simon creation. This one focuses more on one genre: the hard-boiled detective movie, more specifically, the hard-boiled Humphrey Bogart detective movie. I mean, the detective in the movie is hard-boiled, not Humphrey Bogart. Hard-boiling Humphrey Bogart would be horrible. Really. Everyone knows that you should pan-sear your Humphrey Bogart for optimum flavor and mouth-feel. Mmmm . . . delicious first-half-of-the-twentieth-century-acting flavor . . . Oh, um, sorry, where was I, why am I drooling . . . anyway, give a listen and see if Mike and I think this one lives up to its predecessor or if it’s a case of cinematic . . . muuuuurrrrrrddderrrrrrr.
Poll question: what’s your favorite musical moment in a movie, either a staged number or spontaneous playing or singing?
300 episodes
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Manage episode 399355622 series 2403133
Content provided by Max, Mike; Movies and Mike; Movies. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Max, Mike; Movies and Mike; Movies or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Welcome to our penultimate “What’s So Funny?” episode; this week we’ve got a Neil Simon-penned (or more likely typewritered) little number, the spiritual sequel, sort of, to a movie both Mike and I really enjoy, “Murder By Death,” another Neil Simon creation. This one focuses more on one genre: the hard-boiled detective movie, more specifically, the hard-boiled Humphrey Bogart detective movie. I mean, the detective in the movie is hard-boiled, not Humphrey Bogart. Hard-boiling Humphrey Bogart would be horrible. Really. Everyone knows that you should pan-sear your Humphrey Bogart for optimum flavor and mouth-feel. Mmmm . . . delicious first-half-of-the-twentieth-century-acting flavor . . . Oh, um, sorry, where was I, why am I drooling . . . anyway, give a listen and see if Mike and I think this one lives up to its predecessor or if it’s a case of cinematic . . . muuuuurrrrrrddderrrrrrr.
Poll question: what’s your favorite musical moment in a movie, either a staged number or spontaneous playing or singing?
300 episodes
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Similar to Max, Mike; Movies
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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