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S4E18: Twelve O'Clock High (1949) Part I
Manage episode 302402237 series 1572153
Content provided by Max Peterson. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Max Peterson or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
THE GUNS OF AUGUST begins with a bang, with Gregory Peck, a script by Sy Bartlett and Beirne Lay, Jr., and a powerful directorial vision in Henry King, Twelve O’Clock High (1949) could only have been a masterpiece. One of the finest, most honest films ever made about the cost of war .
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Manage episode 302402237 series 1572153
Content provided by Max Peterson. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Max Peterson or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
THE GUNS OF AUGUST begins with a bang, with Gregory Peck, a script by Sy Bartlett and Beirne Lay, Jr., and a powerful directorial vision in Henry King, Twelve O’Clock High (1949) could only have been a masterpiece. One of the finest, most honest films ever made about the cost of war .
225 episodes
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Similar to Measuring Flicks
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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