Episode 47: Can Harm Reduction and Cops Coexist?

Narcotica Podcast

Something that never gets said enough is that the drug war is racist. This is not an opinion any more than it is an opinion that the American Civil War was fought over slavery. Both were crafted by racists to serve racist agendas of controlling people based on their skin color. It is why it is more urgent than ever that we dismantle this system of oppression, the so-called war on drugs, which would be perhaps better described as simply a war on people.

In many ways, prohibition is far more harmful to people than the drugs that are banned. Harm reduction is a philosophy and a practice that aims to fill in the gaps—if we can’t have a safe, regulated drug supply for heroin or meth like we do with alcohol or tobacco, sometimes even cannabis, then maybe we can make drug use more safe in other ways. Here’s some sterile syringes, here’s some naloxone, here’s a phone number you can call if you want to get counseling, etc…

Narcotica hosts Zachary Siegel and Troy Farah talk with Haley Coles from Sonoran Prevention Works, a grassroots harm reduction non-profit in Phoenix, Arizona that works against some of the structural issues surrounding communities impacted by drug use in Arizona. The infrastructure of harm reduction in the Grand Canyon State is scarce compared to a lot of states—syringe access is still illegal, for example—so there’s a lot of room for growth. We discuss racial justice in the field of harm reduction, where the movement has fallen short, and how things can get better.

Follow Sonoran Prevention Works on Twitter @spw_az
You can read SPW’s BLM statement here: https://mailchi.mp/spwaz/black-lives-matter

If you liked this episode, here are others you might enjoy:
Episode 44: Reimagining Public Health and Racial Justice
Episode 42: Supervised Consumption is an Essential Service
Hot Spots 1 – 3 Arizona, Iowa and Nova Scotia

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Producers: Christopher Moraff, Troy Farah, Zachary Siegel

Co-producer: Garrett Farah

Music: Glass Boy

Image: PXhere // edit: Troy Farah

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