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Umme Al-wazedi and Afrin Zeenat, "Veil Obsessed: Representations in Literature, Art, and Media" (Syracuse UP, 2024)

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In their edited volume Veil Obsessed: Representations in Literature, Art, and Media (Syracuse University Press, 2024), Umme Al-wazedi and Afrin Zeenat complicate discussions of the veil and highlight the prevalent anxieties surrounding it. The edited volume is unique in its focus and engagement of the veil as it appears in various literary, artistic, and popular cultures, such as of historical Algeria and contemporary Iranian television series, Bollywood films, and street art in Europe. The book locates these critical discussions and theoretical interventions within both a postcolonial and neocolonial critique of how the veil was orientalised and fetishized historically, for example in the Victorian transmissions of the 1001 Nights, and how the veil, specifically the burka, is deployed in reductive and harmful ways in contemporary state projects today, as seen in France, and even in popular liberal discourses (such as in the United States). The essays in this collection are sharp and accessibly written and will be useful as a teaching tool in various undergraduate courses. The book will also be of interest to those who work on literature, popular culture, gender, Islam, and much more.

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849 episodes

Artwork
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Manage episode 406883969 series 2421497
Content provided by Marshall Poe. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Marshall Poe or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In their edited volume Veil Obsessed: Representations in Literature, Art, and Media (Syracuse University Press, 2024), Umme Al-wazedi and Afrin Zeenat complicate discussions of the veil and highlight the prevalent anxieties surrounding it. The edited volume is unique in its focus and engagement of the veil as it appears in various literary, artistic, and popular cultures, such as of historical Algeria and contemporary Iranian television series, Bollywood films, and street art in Europe. The book locates these critical discussions and theoretical interventions within both a postcolonial and neocolonial critique of how the veil was orientalised and fetishized historically, for example in the Victorian transmissions of the 1001 Nights, and how the veil, specifically the burka, is deployed in reductive and harmful ways in contemporary state projects today, as seen in France, and even in popular liberal discourses (such as in the United States). The essays in this collection are sharp and accessibly written and will be useful as a teaching tool in various undergraduate courses. The book will also be of interest to those who work on literature, popular culture, gender, Islam, and much more.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

  continue reading

849 episodes

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