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6.3 Narrative, Database, Archive: Tom Comitta and Deidre Lynch (AV)

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Manage episode 381750345 series 3460205
Content provided by New Books Network, Aarthi Vadde, and John Plotz. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by New Books Network, Aarthi Vadde, and John Plotz or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

2 tables; 300 novels, 1500 pages of nature description: This is how Tom Comitta created The Nature Book, a one-of-a-kind novel cut from 300 years of English literary tradition. It has no human characters, no original writing, and it is astoundingly good! Tom sits down with distinguished Harvard prof, Deidre Lynch and host Aarthi Vadde to talk about how they wrote a book out of found language.

The conversation reveals why The Nature Book is so compelling: it scrambles the usual distinctions between narrative and database. It is fast-paced, propulsive, full of cliffhangers and yet also a “mood collage” composed of macro, micro, and nanopatterns that Tom identified in their corpus. Writing through a complex set of Oulipo-like constraints, they checked their own authorial freedom to create a book in which the human hand becomes distant and ghostly – its traces felt in the change of seasons and at the bottoms of oceans yet nowhere seen.

Deidre connects Tom’s “literary supercut” (their own term for their practice) to the centuries-old tradition of commonplacing in which ordinary readers would cut and paste favored passages into books that then became archives of personal experience and collective memory. The Nature Book thus finds its place in a countercultural tradition of authorship where recycling takes precedence over invention. Copying, curation, and rearrangement become a novelistic style of “degrowth” in which writers discover that, in lieu of developing new language, they can plumb the depths of our already existing language. The episode ends with a series of surprising answers to the signature question: narratives and databases cross paths with hookups and keepsakes!Mentions:

Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

53 episodes

Artwork
iconShare
 
Manage episode 381750345 series 3460205
Content provided by New Books Network, Aarthi Vadde, and John Plotz. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by New Books Network, Aarthi Vadde, and John Plotz or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

2 tables; 300 novels, 1500 pages of nature description: This is how Tom Comitta created The Nature Book, a one-of-a-kind novel cut from 300 years of English literary tradition. It has no human characters, no original writing, and it is astoundingly good! Tom sits down with distinguished Harvard prof, Deidre Lynch and host Aarthi Vadde to talk about how they wrote a book out of found language.

The conversation reveals why The Nature Book is so compelling: it scrambles the usual distinctions between narrative and database. It is fast-paced, propulsive, full of cliffhangers and yet also a “mood collage” composed of macro, micro, and nanopatterns that Tom identified in their corpus. Writing through a complex set of Oulipo-like constraints, they checked their own authorial freedom to create a book in which the human hand becomes distant and ghostly – its traces felt in the change of seasons and at the bottoms of oceans yet nowhere seen.

Deidre connects Tom’s “literary supercut” (their own term for their practice) to the centuries-old tradition of commonplacing in which ordinary readers would cut and paste favored passages into books that then became archives of personal experience and collective memory. The Nature Book thus finds its place in a countercultural tradition of authorship where recycling takes precedence over invention. Copying, curation, and rearrangement become a novelistic style of “degrowth” in which writers discover that, in lieu of developing new language, they can plumb the depths of our already existing language. The episode ends with a series of surprising answers to the signature question: narratives and databases cross paths with hookups and keepsakes!Mentions:

Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

53 episodes

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