In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Dark Waters & Erin Brockovich
Manage episode 274719316 series 2085654
Content provided by One For You. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by One For You or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Environmental pollution by big companies is an ongoing problem. But there are always those who fight for people in need, and occasionally, Hollywood makes films about them. Astrit Abazi joins me to talk about two such movies: DARK WATERS and ERIN BROCKOVICH. In DARK WATERS Mark Ruffalo dims his charisma to play a lawyer, who usually works for big chemical companies, but now decides to change sides. Grey, cold and utterly horrifying are only some of the words to describe this Todd Haynes film. ERIN BROCKOVICH was an awards darling at the turn of the millennium, but does Steven Soderbergh’s film still hold up? Was Julia Roberts' Oscar deserved? Unsurprisingly, Astrit and I once again have differing opinions on that.
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93 episodes
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Manage episode 274719316 series 2085654
Content provided by One For You. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by One For You or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Environmental pollution by big companies is an ongoing problem. But there are always those who fight for people in need, and occasionally, Hollywood makes films about them. Astrit Abazi joins me to talk about two such movies: DARK WATERS and ERIN BROCKOVICH. In DARK WATERS Mark Ruffalo dims his charisma to play a lawyer, who usually works for big chemical companies, but now decides to change sides. Grey, cold and utterly horrifying are only some of the words to describe this Todd Haynes film. ERIN BROCKOVICH was an awards darling at the turn of the millennium, but does Steven Soderbergh’s film still hold up? Was Julia Roberts' Oscar deserved? Unsurprisingly, Astrit and I once again have differing opinions on that.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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