In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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The French Dispatch & Good Bye Lenin!
Manage episode 305354414 series 2085654
Content provided by One For You. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by One For You or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This episode’s movies are all about nostalgia, which often is a powerful force for storytelling, as Alan Mattli and I discuss. THE FRENCH DISPATCH, Wes Anderson’s newest movie, shows us an ironic take on American intellectual’s visions of France during the first half of the 20th century. The gem, the German movie GOOD BYE LENIN! delves into the thorny issue of nostalgia, when said nostalgia happens to be about living in a socialist dictatorship. We also briefly discuss Ridley Scott’s THE LAST DUEL and are confused by the title situation of the movie formerly known as EDGE OF TOMORROW. Join the discussion on social media @oneforyoupod or write an email to oneforyoupod@gmail.com
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Manage episode 305354414 series 2085654
Content provided by One For You. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by One For You or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This episode’s movies are all about nostalgia, which often is a powerful force for storytelling, as Alan Mattli and I discuss. THE FRENCH DISPATCH, Wes Anderson’s newest movie, shows us an ironic take on American intellectual’s visions of France during the first half of the 20th century. The gem, the German movie GOOD BYE LENIN! delves into the thorny issue of nostalgia, when said nostalgia happens to be about living in a socialist dictatorship. We also briefly discuss Ridley Scott’s THE LAST DUEL and are confused by the title situation of the movie formerly known as EDGE OF TOMORROW. Join the discussion on social media @oneforyoupod or write an email to oneforyoupod@gmail.com
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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