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Judith Fetterley on A Farewell to Arms

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Manage episode 367741331 series 2801603
Content provided by Mark Cirino and Michael Von Cannon, Mark Cirino, and Michael Von Cannon. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark Cirino and Michael Von Cannon, Mark Cirino, and Michael Von Cannon or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The legendary feminist critic Judith Fetterley joins us to discuss her brilliant and incendiary work on A Farewell to Arms, a piece from 1978 that has endured as one of the definitive feminist critiques of Hemingway.
Prof. Fetterley discusses protagonist Frederic Henry’s self-pity and self-absorption, Catherine’s obsequiousness, and Hemingway’s design of the novel that leads Fetterley to conclude that Catherine “dies because she is a woman.”
We go on to discuss Hemingway’s style, the theme of childbirth in Hemingway’s work, and how Fetterley’s feminist views in the 1970s apply to today’s reader. Join us for this special episode!

  continue reading

130 episodes

Artwork
iconShare
 
Manage episode 367741331 series 2801603
Content provided by Mark Cirino and Michael Von Cannon, Mark Cirino, and Michael Von Cannon. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark Cirino and Michael Von Cannon, Mark Cirino, and Michael Von Cannon or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The legendary feminist critic Judith Fetterley joins us to discuss her brilliant and incendiary work on A Farewell to Arms, a piece from 1978 that has endured as one of the definitive feminist critiques of Hemingway.
Prof. Fetterley discusses protagonist Frederic Henry’s self-pity and self-absorption, Catherine’s obsequiousness, and Hemingway’s design of the novel that leads Fetterley to conclude that Catherine “dies because she is a woman.”
We go on to discuss Hemingway’s style, the theme of childbirth in Hemingway’s work, and how Fetterley’s feminist views in the 1970s apply to today’s reader. Join us for this special episode!

  continue reading

130 episodes

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